Denna bok behöver en inledande anmärkning för att dess syfte inte ska missförstås. Det perspektiv som uppmålas är historiskt snarare än teologiskt, och den handlar inte, åtminstone inte direkt, om en religiös förändring som har varit mitt livs viktigaste händelse, och som jag redan skriver en mer utpräglad kampskrift om.
Det är omöjligt, hoppas jag, för en enda katolik att skriva någon bok i något ämne, särskilt i detta ämne, utan att visa att han är katolik. Men denna studie rör inte speciellt skillnaderna mellan en katolik och en protestant. En stor del av den ägnar sej åt många slags hedningar snarare än något slag av kristna, och dess tes är att de som säger att Kristus står sida vid sida med liknande myter, och hans religion sida vid sida med liknande religioner, endast upprepar en mycket stelnad formel som motsägs av ett mycket slående faktum.
För att peka på detta har jag inte behövt gå långt utöver fakta som vi alla känner till. Jag gör inga anspråk på lärdom och är i vissa frågor, som det blivit vanligt att vara, beroende av dem som är mer lärda än jag.
Som jag vid mer än ett tillfälle skilt mej från H G Wells i fråga om historiesyn, är det desto riktigare att jag här gratulerar honom till det mod och den konstruktiva fantasi som bar genom hans vidsträckta och varierade och intensivt intressanta verk; men ännu mer till att ha fastslagit amatörens rimliga rätt att göra vad han kan med de fakta specialisterna förser honom med.
Sunday, July 5, 2009
Presentation av bokens uppläggning
Det finns två sätt att komma hem, och ett av dem är att stanna där. Det andra sättet är att vandra runt hela världen tills vi kommer tillbaka till samma plats, och jag försökte följa en sådan resa i en berättelse jag skrev en gång.
Det är emellertid en lättnad att vända sej från detta ämne till en annan historia jag aldrig skrev om. Likt varje annan bok jag aldrig skrev, är denna den överlägset bästa bok jag någonsin skrivit. Det är bara alltför troligt att jag aldrig kommer att skriva den, så jag kommer att använda den symboliskt här, för den var en symbol för samma sanning. I conceived it as a romance of those vast valleys with sloping sides, like those along which the ancient White Horses of Wessex are scrawled along the flanks of the hills. It concerned some boy whose farm or cottage stood on such a slope, and who went on his travels to find something, such as the effigy and grave of some giant; and when he was far enough from home he looked back and saw that his own farm and kitchen-garden, shining flat on the hill-side like the colours and quarterings of a shield, were but parts of some such gigantic figure, on which he had always lived, but which was too large and too close to be seen. That, I think, is a true picture of the progress of any really independent intelligence today; and that is the point of this book. The point of this book, in other words, is that the next best thing to being really inside Christendom is to be really outside it. And a particular point of it is that the popular critics of Christianity are not really outside it. They are on a debatable ground, in every sense of the term. They are doubtful in their very doubts. Their criticism has taken on a curious tone; as of a random and illiterate heckling. Thus they make current and anti-clerical cant as a sort of small-talk. They will complain of parsons dressing like parsons; as if we should be any more free if all the police who shadowed or collared us were plain clothes detectives. Or they will complain that a sermon cannot be interrupted, and call a pulpit a coward's castle; though they do not call an editor's office a coward's castle. It would be unjust both to journalists and priests; but it would be much truer of journalist. The clergyman appears in person and could easily be kicked as he came out of church; the journalist conceals even his name so that nobody can kick him. They write wild and pointless articles and letters in the press about why the churches are empty, without even going there to find out if they are empty, or which of them are empty. Their suggestions are more vapid and vacant than the most insipid curate in a three-act farce, and move us to comfort him after the manner of the curate in the Bab Ballads; 'Your mind is not so blank as that of Hopley Porter.' So we may truly say to the very feeblest cleric: 'Your mind is not so blank as that of Indignant Layman or Plain Man or Man in the Street, or any of your critics in the newspapers; for they have not the most shadowy notion of what they want themselves. Let alone of what you ought to give them.' They will suddenly turn round and revile the Church for not having prevented the War, which they themselves did not want to prevent; and which nobody had ever professed to be able to prevent, except some of that very school of progressive and cosmopolitan sceptics who are the chief enemies of the Church. It was the anti-clerical and agnostic world that was always prophesying the advent of universal peace; it is that world that was, or should have been, abashed and confounded by the advent of universal war. As for the general view that the Church was discredited by the War--they might as well say that the Ark was discredited by the Flood. When the world goes wrong, it proves rather that the Church is right. The Church is justified, not because her children do not sin, but because they do. But that marks their mood about the whole religious tradition they are in a state of reaction against it. It is well with the boy when he lives on his father's land; and well with him again when he is far enough from it to look back on it and see it as a whole. But these people have got into an intermediate state, have fallen into an intervening valley from which they can see neither the heights beyond them nor the heights behind. They cannot get out of the penumbra of Christian controversy. They cannot be Christians and they can not leave off being Anti-Christians. Their whole atmosphere is the atmosphere of a reaction: sulks, perversity, petty criticism. They still live in the shadow of the faith and have lost the light of the faith. Now the best relation to our spiritual home is to be near enough to love it. But the next best is to be far enough away not to hate it. It is the contention of these pages that while the best judge of Christianity is a Christian, the next best judge would be something more like a Confucian. The worst judge of all is the man now most ready with his judgements; the ill-educated Christian turning gradually into the ill-tempered agnostic, entangled in the end of a feud of which he never understood the beginning, blighted with a sort of hereditary boredom with he knows not what, and already weary of hearing what he has never heard. He does not judge Christianity calmly as a Confucian would; he does not judge it as he would judge Confucianism. He cannot by an effort of fancy set the Catholic Church thousands of miles away in strange skies of morning and judge it as impartially as a Chinese pagoda. It is said that the great St. Francis Xavier, who very nearly succeeded in setting up the Church there as a tower overtopping all pagodas, failed partly because his followers were accused by their fellow missionaries of representing the Twelve Apostles with the garb or attributes of Chinamen. But it would be far better to see them as Chinamen, and judge them fairly as Chinamen, than to see them as featureless idols merely made to be battered by iconoclasts; or rather as cockshies to be pelted by empty-handed cockneys. It would be better to see the whole thing as a remote Asiatic cult; the mitres of its bishops as the towering head dresses of mysterious bonzes; its pastoral staffs as the sticks twisted like serpents carried in some Asiatic procession; to see the prayer book as fantastic as the prayer-wheel and the Cross as crooked as the Swastika. Then at least we should not lose our temper as some of the sceptical critics seem to lose their temper, not to mention their wits. Their anti-clericalism has become an atmosphere, an atmosphere of negation and hostility from which they cannot escape. Compared with that, it would be better to see the whole thing as something belonging to another continent, or to another planet. It would be more philosophical to stare indifferently at bonzes than to be perpetually and pointlessly grumbling at bishops. It would be better to walk past a church as if it were a pagoda than to stand permanently in the porch, impotent either to go inside and help or to go outside and forget. For those in whom a mere reaction has thus become an obsession, I do seriously recommend the imaginative effort of conceiving the Twelve Apostles as Chinamen. In other words, I recommend these critics to try to do as much justice to Christian saints as if they were Pagan sages. But with this we come to the final and vital point I shall try to show in these pages that when we do make this imaginative effort to see the whole thing from the outside, we find that it really looks like what is traditionally said about it inside. It is exactly when the boy gets far enough off to see the giant that he sees that he really is a giant. It is exactly when we do at last see the Christian Church afar under those clear and level eastern skies that we see that it is really the Church of Christ. To put it shortly, the moment we are really impartial about it, we know why people are partial to it. But this second proposition requires more serious discussion; and I shall here set myself to discuss it. As soon as I had clearly in my mind this conception of something solid in the solitary and unique character of the divine story, it struck me that there was exactly the same strange and yet solid character in the human story that had led up to it; because that human story also had a root that was divine. I mean that just as the Church seems to grow more remarkable when it is fairly compared with the common religious life of mankind, so mankind itself seems to grow more remarkable when we compare it with the common life of nature. And I have noticed that most modern history is driven to something like sophistry, first to soften the sharp transition from animals to men, and then to soften the sharp transition from heathens to Christians. Now the more we really read in a realistic spirit of those two transitions the sharper we shall find them to be. It is because the critics are not detached that they do not see this detachment; it is because they are not looking at things in a dry light that they cannot see the difference between black and white. It is because they are in a particular mood of reaction and revolt that they have a motive for making out that all the white is dirty grey and the black not so black as it is painted. I do not say there are not human excuses for their revolt; I do not say it is not in some ways sympathetic; what I say is that it is not in any way scientific. An iconoclast may be indignant; an iconoclast may be justly indignant; but an iconoclast is not impartial. And it is stark hypocrisy to pretend that nine-tenths of the higher critics and scientific evolutionists and professors of comparative religion are in the least impartial. Why should they be impartial, what is being impartial, when the whole world is at war about whether one thing is a devouring superstition or a divine hope? I do not pretend to be impartial in the sense that the final act of faith fixes a man's mind because it satisfies his mind. But I do profess to be a great deal more impartial than they are; in the sense that I can tell the story fairly, with some sort of imaginative justice to all sides; and they cannot. I do profess to be impartial in the sense that I should be ashamed to talk such nonsense about the Lama of Thibet as they do about the Pope of Rome, or to have as little sympathy with Julian the Apostate as they have with the Society of Jesus. They are not impartial; they never by any chance hold the historical scales even; and above all they are never impartial upon this point of evolution and transition. They suggest everywhere the grey gradations of twilight, because they believe it is the twilight of the gods. I propose to maintain that whether or no it is the twilight of gods, it is not the daylight of men. I maintain that when brought out into the daylight these two things look altogether strange and unique; and that it is only in the false twilight of an imaginary period of transition that they can be made to look in the least like anything else. The first of these is the creature called man and the second is the man called Christ. I have therefore divided this book into two parts: the former being a sketch of the main adventure of the human race in so far as it remained heathen; and the second a summary of the real difference that was made by it becoming Christian. Both motives necessitate a certain method, a method which is not very easy to manage, and perhaps even less easy to define or defend. In order to strike, in the only sane or possible sense, the note of impartiality, it is necessary to touch the nerve of novelty. I mean that in one sense we see things fairly when we see them first. That, I may remark in passing, is why children generally have very little difficulty about the dogmas of the Church. But the Church, being a highly practical thing for working and fighting, is necessarily a thing for men and not merely for children. There must be in it for working purposes a great deal of tradition, of familiarity, and even of routine. So long as its fundamentals are sincerely felt, this may even be the saner condition. But when its fundamentals are doubted, as at present, we must try to recover the candour and wonder of the child; the unspoilt realism and objectivity of innocence. Or if we cannot do that, we must try at least to shake off the cloud of mere custom and see the thing as new, if only by seeing it as unnatural. Things that may well be familiar so long as familiarity breeds affection had much better become unfamiliar when familiarity breeds contempt. For in connection with things so great as are here considered, whatever our view of them, contempt must be a mistake. Indeed contempt must be an illusion. We must invoke the most wild and soaring sort of imagination; the imagination that can see what is there. The only way to suggest the point is by an example of something, indeed of almost anything, that has been considered beautiful or wonderful. George Wyndham once told me that he had seen one of the first aeroplanes rise for the first time and it was very wonderful but not so wonderful as a horse allowing a man to ride on him. Somebody else has said that a fine man on a fine horse is the noblest bodily object in the world. Now, so long as people feel this in the right way, all is well. The first and best way of appreciating it is to come of people with a tradition of treating animals properly; of men in the right relation to horses. A boy who remembers his father who rode a horse, who rode it well and treated it well, will know that the relation can be satisfactory and will be satisfied. He will be all the more indignant at the ill-treatment of horses because he knows how they ought to be treated; but he will see nothing but what is normal in a man riding on a horse. He will not listen to the great modern philosopher who explains to him that the horse ought to be riding on the man. He will not pursue the pessimist fancy of Swift and say that men must be despised as monkeys and horses worshipped as gods. And horse and man together making an image that is to him human and civilised, it will be easy, as it were, to lift horse and man together into something heroic or symbolical; like a vision of St. George in the clouds. The fable of the winged horse will not be wholly unnatural to him: and he will know why Ariosto set many a Christian hero in such an airy saddle, and made him the rider of the sky. For the horse has really been lifted up along with the man in the wildest fashion in the very word we use when we speak 'chivalry.' The very name of the horse has been given to the highest mood and moment of the man; so that we might almost say that the handsomest compliment to a man is to call him a horse. But if a man has got into a mood in which he is not able to feel this sort of wonder, then his cure must begin right at the other end. We must now suppose that he has drifted into a dull mood, in which somebody sitting on a horse means no more than somebody sitting on a chair. The wonder of which Wyndham spoke, the beauty that made the thing seem an equestrian statue, the meaning of the more chivalric horseman, may have become to him merely a convention and a bore. Perhaps they have been merely a fashion; perhaps they have gone out of fashion; perhaps they have been talked about too much or talked about in the wrong way; perhaps it was then difficult to care for horses without the horrible risk of being horsy. Anyhow, he has got into a condition when he cares no more for a horse than for a towel-horse. His grandfather's charge at Balaclava seems to him as dull and dusty as the album containing such family portraits. Such a person has not really become enlightened about the album; on the contrary, he has only become blind with the dust. But when he has reached that degree of blindness, he will not be able to look at a horse or a horseman at all until he has seen the whole thing as a thing entirely unfamiliar and almost unearthly. Out of some dark forest under some ancient dawn there must come towards us, with lumbering yet dancing motions, one of the very queerest of the prehistoric creatures. We must see for the first time the strangely small head set on a neck not only longer but thicker than itself, as the face of a gargoyle is thrust out upon a gutter-spout, the one disproportionate crest of hair running along the ridge of that heavy neck like a beard in the wrong place; the feet, each like a solid club of horn, alone amid the feet of so many cattle; so that the true fear is to be found in showing, not the cloven, but the uncloven hoof. Nor is it mere verbal fancy to see him thus as a unique monster; for in a sense a monster means what is unique, and he is really unique. But the point is that when we thus see him as the first man saw him, we begin once more to have some imaginative sense of what it meant when the first man rode him. In such a dream he may seem ugly, but he does not seem unimpressive; and certainly that two-legged dwarf who could get on top of him will not seem unimpressive. By a longer and more erratic road we shall come back to the same marvel of the man and the horse; and the marvel will be, if possible, even more marvellous. We shall have again a glimpse of St. George; the more glorious because St. George is not riding on the horse, but rather riding on the dragon. In this example, which I have taken merely because it is an example, it will be noted that I do not say that the nightmare seen by the first man of the forest is either more true or more wonderful than the normal mare of the stable seen by the civilised person who can appreciate what is normal. Of the two extremes, I think on the whole that the traditional grasp of truth is the better. But I say that the truth is found at one or other of these two extremes, and is lost in the intermediate condition of mere fatigue and forgetfulness of tradition. In other words, I say it is better to see a horse as a monster than to see it only as a slow substitute for a motor-car. If we have got into that state of mind about a horse as something stale, it is far better to be frightened of a horse because it is a good deal too fresh. Now, as it is with the monster that is called a horse, so it is with the monster that is called a man. Of course the best condition of all, in my opinion, is always to have regarded man as he is regarded in my philosophy. He who holds the Christian and Catholic view of human nature will feel certain that it is a universal and therefore a sane view, and will be satisfied. But if he has lost the pose to strike wherever possible this note of what is new and strange, and for that reason the style even on so serious a subject may sometimes be deliberately grotesque and fanciful. I do desire to help the reader to see Christendom from the outside in the sense of seeing it as a whole, against the background of other historic things; just as I desire him to see humanity as a whole against the background of natural things. And I say that in both cases, when seen thus, they stand out from their background like supernatural things. They do not fade into the rest with the colours of impressionism; they stand out from the rest with the colours of heraldry; as vivid as a red cross on a white shield or a black lion on a ground of gold. So stands the Red Clay against the green field of nature, or the White Christ against the red clay of his race. But in order to see them clearly we have to see them as a whole. We have to see how they developed as well as how they began; for the most incredible part of the story is that things which began thus should have developed thus. Anyone who chooses to indulge in mere imagination can imagine that other things might have happened or other entities evolved. Anyone thinking of what might have happened may conceive a sort of evolutionary equality; but anyone facing what did happen must face an exception and a prodigy. If there was ever a moment when man was only an animal, we can if we choose make a fancy picture of his career transferred to some other animal. An entertaining fantasia might be made in which elephants built in elephantine architecture, with towers and turrets like tusks and trunks, cities beyond the scale of any colossus. A pleasant fable might be conceived in which a cow had developed a costume, and put on four boots and two pairs of trousers. We could imagine a Supermonkey more marvellous than any Superman, a quadrumanous creature carving and painting with his hands and cooking and carpentering with his feet. But if we are considering what did happen, we shall certainly decide that man has distanced everything else with a distance like that of the astronomical spaces and a speed like that of the still thunderbolt of the light. And in the same fashion, while we can if we choose see the Church amid a mob of Mithraic or Manichean superstitions squabbling and killing each other at the end of the Empire, while we can if we choose imagine the Church killed in the struggle and some other chance cult taking its place, we shall be the more surprised (and possibly puzzled) if we meet it two thousand years afterwards rushing through the ages as the winged thunderbolt of thought and everlasting enthusiasm; a thing without rival or resemblance; and still as new as it is old.
Det är emellertid en lättnad att vända sej från detta ämne till en annan historia jag aldrig skrev om. Likt varje annan bok jag aldrig skrev, är denna den överlägset bästa bok jag någonsin skrivit. Det är bara alltför troligt att jag aldrig kommer att skriva den, så jag kommer att använda den symboliskt här, för den var en symbol för samma sanning. I conceived it as a romance of those vast valleys with sloping sides, like those along which the ancient White Horses of Wessex are scrawled along the flanks of the hills. It concerned some boy whose farm or cottage stood on such a slope, and who went on his travels to find something, such as the effigy and grave of some giant; and when he was far enough from home he looked back and saw that his own farm and kitchen-garden, shining flat on the hill-side like the colours and quarterings of a shield, were but parts of some such gigantic figure, on which he had always lived, but which was too large and too close to be seen. That, I think, is a true picture of the progress of any really independent intelligence today; and that is the point of this book. The point of this book, in other words, is that the next best thing to being really inside Christendom is to be really outside it. And a particular point of it is that the popular critics of Christianity are not really outside it. They are on a debatable ground, in every sense of the term. They are doubtful in their very doubts. Their criticism has taken on a curious tone; as of a random and illiterate heckling. Thus they make current and anti-clerical cant as a sort of small-talk. They will complain of parsons dressing like parsons; as if we should be any more free if all the police who shadowed or collared us were plain clothes detectives. Or they will complain that a sermon cannot be interrupted, and call a pulpit a coward's castle; though they do not call an editor's office a coward's castle. It would be unjust both to journalists and priests; but it would be much truer of journalist. The clergyman appears in person and could easily be kicked as he came out of church; the journalist conceals even his name so that nobody can kick him. They write wild and pointless articles and letters in the press about why the churches are empty, without even going there to find out if they are empty, or which of them are empty. Their suggestions are more vapid and vacant than the most insipid curate in a three-act farce, and move us to comfort him after the manner of the curate in the Bab Ballads; 'Your mind is not so blank as that of Hopley Porter.' So we may truly say to the very feeblest cleric: 'Your mind is not so blank as that of Indignant Layman or Plain Man or Man in the Street, or any of your critics in the newspapers; for they have not the most shadowy notion of what they want themselves. Let alone of what you ought to give them.' They will suddenly turn round and revile the Church for not having prevented the War, which they themselves did not want to prevent; and which nobody had ever professed to be able to prevent, except some of that very school of progressive and cosmopolitan sceptics who are the chief enemies of the Church. It was the anti-clerical and agnostic world that was always prophesying the advent of universal peace; it is that world that was, or should have been, abashed and confounded by the advent of universal war. As for the general view that the Church was discredited by the War--they might as well say that the Ark was discredited by the Flood. When the world goes wrong, it proves rather that the Church is right. The Church is justified, not because her children do not sin, but because they do. But that marks their mood about the whole religious tradition they are in a state of reaction against it. It is well with the boy when he lives on his father's land; and well with him again when he is far enough from it to look back on it and see it as a whole. But these people have got into an intermediate state, have fallen into an intervening valley from which they can see neither the heights beyond them nor the heights behind. They cannot get out of the penumbra of Christian controversy. They cannot be Christians and they can not leave off being Anti-Christians. Their whole atmosphere is the atmosphere of a reaction: sulks, perversity, petty criticism. They still live in the shadow of the faith and have lost the light of the faith. Now the best relation to our spiritual home is to be near enough to love it. But the next best is to be far enough away not to hate it. It is the contention of these pages that while the best judge of Christianity is a Christian, the next best judge would be something more like a Confucian. The worst judge of all is the man now most ready with his judgements; the ill-educated Christian turning gradually into the ill-tempered agnostic, entangled in the end of a feud of which he never understood the beginning, blighted with a sort of hereditary boredom with he knows not what, and already weary of hearing what he has never heard. He does not judge Christianity calmly as a Confucian would; he does not judge it as he would judge Confucianism. He cannot by an effort of fancy set the Catholic Church thousands of miles away in strange skies of morning and judge it as impartially as a Chinese pagoda. It is said that the great St. Francis Xavier, who very nearly succeeded in setting up the Church there as a tower overtopping all pagodas, failed partly because his followers were accused by their fellow missionaries of representing the Twelve Apostles with the garb or attributes of Chinamen. But it would be far better to see them as Chinamen, and judge them fairly as Chinamen, than to see them as featureless idols merely made to be battered by iconoclasts; or rather as cockshies to be pelted by empty-handed cockneys. It would be better to see the whole thing as a remote Asiatic cult; the mitres of its bishops as the towering head dresses of mysterious bonzes; its pastoral staffs as the sticks twisted like serpents carried in some Asiatic procession; to see the prayer book as fantastic as the prayer-wheel and the Cross as crooked as the Swastika. Then at least we should not lose our temper as some of the sceptical critics seem to lose their temper, not to mention their wits. Their anti-clericalism has become an atmosphere, an atmosphere of negation and hostility from which they cannot escape. Compared with that, it would be better to see the whole thing as something belonging to another continent, or to another planet. It would be more philosophical to stare indifferently at bonzes than to be perpetually and pointlessly grumbling at bishops. It would be better to walk past a church as if it were a pagoda than to stand permanently in the porch, impotent either to go inside and help or to go outside and forget. For those in whom a mere reaction has thus become an obsession, I do seriously recommend the imaginative effort of conceiving the Twelve Apostles as Chinamen. In other words, I recommend these critics to try to do as much justice to Christian saints as if they were Pagan sages. But with this we come to the final and vital point I shall try to show in these pages that when we do make this imaginative effort to see the whole thing from the outside, we find that it really looks like what is traditionally said about it inside. It is exactly when the boy gets far enough off to see the giant that he sees that he really is a giant. It is exactly when we do at last see the Christian Church afar under those clear and level eastern skies that we see that it is really the Church of Christ. To put it shortly, the moment we are really impartial about it, we know why people are partial to it. But this second proposition requires more serious discussion; and I shall here set myself to discuss it. As soon as I had clearly in my mind this conception of something solid in the solitary and unique character of the divine story, it struck me that there was exactly the same strange and yet solid character in the human story that had led up to it; because that human story also had a root that was divine. I mean that just as the Church seems to grow more remarkable when it is fairly compared with the common religious life of mankind, so mankind itself seems to grow more remarkable when we compare it with the common life of nature. And I have noticed that most modern history is driven to something like sophistry, first to soften the sharp transition from animals to men, and then to soften the sharp transition from heathens to Christians. Now the more we really read in a realistic spirit of those two transitions the sharper we shall find them to be. It is because the critics are not detached that they do not see this detachment; it is because they are not looking at things in a dry light that they cannot see the difference between black and white. It is because they are in a particular mood of reaction and revolt that they have a motive for making out that all the white is dirty grey and the black not so black as it is painted. I do not say there are not human excuses for their revolt; I do not say it is not in some ways sympathetic; what I say is that it is not in any way scientific. An iconoclast may be indignant; an iconoclast may be justly indignant; but an iconoclast is not impartial. And it is stark hypocrisy to pretend that nine-tenths of the higher critics and scientific evolutionists and professors of comparative religion are in the least impartial. Why should they be impartial, what is being impartial, when the whole world is at war about whether one thing is a devouring superstition or a divine hope? I do not pretend to be impartial in the sense that the final act of faith fixes a man's mind because it satisfies his mind. But I do profess to be a great deal more impartial than they are; in the sense that I can tell the story fairly, with some sort of imaginative justice to all sides; and they cannot. I do profess to be impartial in the sense that I should be ashamed to talk such nonsense about the Lama of Thibet as they do about the Pope of Rome, or to have as little sympathy with Julian the Apostate as they have with the Society of Jesus. They are not impartial; they never by any chance hold the historical scales even; and above all they are never impartial upon this point of evolution and transition. They suggest everywhere the grey gradations of twilight, because they believe it is the twilight of the gods. I propose to maintain that whether or no it is the twilight of gods, it is not the daylight of men. I maintain that when brought out into the daylight these two things look altogether strange and unique; and that it is only in the false twilight of an imaginary period of transition that they can be made to look in the least like anything else. The first of these is the creature called man and the second is the man called Christ. I have therefore divided this book into two parts: the former being a sketch of the main adventure of the human race in so far as it remained heathen; and the second a summary of the real difference that was made by it becoming Christian. Both motives necessitate a certain method, a method which is not very easy to manage, and perhaps even less easy to define or defend. In order to strike, in the only sane or possible sense, the note of impartiality, it is necessary to touch the nerve of novelty. I mean that in one sense we see things fairly when we see them first. That, I may remark in passing, is why children generally have very little difficulty about the dogmas of the Church. But the Church, being a highly practical thing for working and fighting, is necessarily a thing for men and not merely for children. There must be in it for working purposes a great deal of tradition, of familiarity, and even of routine. So long as its fundamentals are sincerely felt, this may even be the saner condition. But when its fundamentals are doubted, as at present, we must try to recover the candour and wonder of the child; the unspoilt realism and objectivity of innocence. Or if we cannot do that, we must try at least to shake off the cloud of mere custom and see the thing as new, if only by seeing it as unnatural. Things that may well be familiar so long as familiarity breeds affection had much better become unfamiliar when familiarity breeds contempt. For in connection with things so great as are here considered, whatever our view of them, contempt must be a mistake. Indeed contempt must be an illusion. We must invoke the most wild and soaring sort of imagination; the imagination that can see what is there. The only way to suggest the point is by an example of something, indeed of almost anything, that has been considered beautiful or wonderful. George Wyndham once told me that he had seen one of the first aeroplanes rise for the first time and it was very wonderful but not so wonderful as a horse allowing a man to ride on him. Somebody else has said that a fine man on a fine horse is the noblest bodily object in the world. Now, so long as people feel this in the right way, all is well. The first and best way of appreciating it is to come of people with a tradition of treating animals properly; of men in the right relation to horses. A boy who remembers his father who rode a horse, who rode it well and treated it well, will know that the relation can be satisfactory and will be satisfied. He will be all the more indignant at the ill-treatment of horses because he knows how they ought to be treated; but he will see nothing but what is normal in a man riding on a horse. He will not listen to the great modern philosopher who explains to him that the horse ought to be riding on the man. He will not pursue the pessimist fancy of Swift and say that men must be despised as monkeys and horses worshipped as gods. And horse and man together making an image that is to him human and civilised, it will be easy, as it were, to lift horse and man together into something heroic or symbolical; like a vision of St. George in the clouds. The fable of the winged horse will not be wholly unnatural to him: and he will know why Ariosto set many a Christian hero in such an airy saddle, and made him the rider of the sky. For the horse has really been lifted up along with the man in the wildest fashion in the very word we use when we speak 'chivalry.' The very name of the horse has been given to the highest mood and moment of the man; so that we might almost say that the handsomest compliment to a man is to call him a horse. But if a man has got into a mood in which he is not able to feel this sort of wonder, then his cure must begin right at the other end. We must now suppose that he has drifted into a dull mood, in which somebody sitting on a horse means no more than somebody sitting on a chair. The wonder of which Wyndham spoke, the beauty that made the thing seem an equestrian statue, the meaning of the more chivalric horseman, may have become to him merely a convention and a bore. Perhaps they have been merely a fashion; perhaps they have gone out of fashion; perhaps they have been talked about too much or talked about in the wrong way; perhaps it was then difficult to care for horses without the horrible risk of being horsy. Anyhow, he has got into a condition when he cares no more for a horse than for a towel-horse. His grandfather's charge at Balaclava seems to him as dull and dusty as the album containing such family portraits. Such a person has not really become enlightened about the album; on the contrary, he has only become blind with the dust. But when he has reached that degree of blindness, he will not be able to look at a horse or a horseman at all until he has seen the whole thing as a thing entirely unfamiliar and almost unearthly. Out of some dark forest under some ancient dawn there must come towards us, with lumbering yet dancing motions, one of the very queerest of the prehistoric creatures. We must see for the first time the strangely small head set on a neck not only longer but thicker than itself, as the face of a gargoyle is thrust out upon a gutter-spout, the one disproportionate crest of hair running along the ridge of that heavy neck like a beard in the wrong place; the feet, each like a solid club of horn, alone amid the feet of so many cattle; so that the true fear is to be found in showing, not the cloven, but the uncloven hoof. Nor is it mere verbal fancy to see him thus as a unique monster; for in a sense a monster means what is unique, and he is really unique. But the point is that when we thus see him as the first man saw him, we begin once more to have some imaginative sense of what it meant when the first man rode him. In such a dream he may seem ugly, but he does not seem unimpressive; and certainly that two-legged dwarf who could get on top of him will not seem unimpressive. By a longer and more erratic road we shall come back to the same marvel of the man and the horse; and the marvel will be, if possible, even more marvellous. We shall have again a glimpse of St. George; the more glorious because St. George is not riding on the horse, but rather riding on the dragon. In this example, which I have taken merely because it is an example, it will be noted that I do not say that the nightmare seen by the first man of the forest is either more true or more wonderful than the normal mare of the stable seen by the civilised person who can appreciate what is normal. Of the two extremes, I think on the whole that the traditional grasp of truth is the better. But I say that the truth is found at one or other of these two extremes, and is lost in the intermediate condition of mere fatigue and forgetfulness of tradition. In other words, I say it is better to see a horse as a monster than to see it only as a slow substitute for a motor-car. If we have got into that state of mind about a horse as something stale, it is far better to be frightened of a horse because it is a good deal too fresh. Now, as it is with the monster that is called a horse, so it is with the monster that is called a man. Of course the best condition of all, in my opinion, is always to have regarded man as he is regarded in my philosophy. He who holds the Christian and Catholic view of human nature will feel certain that it is a universal and therefore a sane view, and will be satisfied. But if he has lost the pose to strike wherever possible this note of what is new and strange, and for that reason the style even on so serious a subject may sometimes be deliberately grotesque and fanciful. I do desire to help the reader to see Christendom from the outside in the sense of seeing it as a whole, against the background of other historic things; just as I desire him to see humanity as a whole against the background of natural things. And I say that in both cases, when seen thus, they stand out from their background like supernatural things. They do not fade into the rest with the colours of impressionism; they stand out from the rest with the colours of heraldry; as vivid as a red cross on a white shield or a black lion on a ground of gold. So stands the Red Clay against the green field of nature, or the White Christ against the red clay of his race. But in order to see them clearly we have to see them as a whole. We have to see how they developed as well as how they began; for the most incredible part of the story is that things which began thus should have developed thus. Anyone who chooses to indulge in mere imagination can imagine that other things might have happened or other entities evolved. Anyone thinking of what might have happened may conceive a sort of evolutionary equality; but anyone facing what did happen must face an exception and a prodigy. If there was ever a moment when man was only an animal, we can if we choose make a fancy picture of his career transferred to some other animal. An entertaining fantasia might be made in which elephants built in elephantine architecture, with towers and turrets like tusks and trunks, cities beyond the scale of any colossus. A pleasant fable might be conceived in which a cow had developed a costume, and put on four boots and two pairs of trousers. We could imagine a Supermonkey more marvellous than any Superman, a quadrumanous creature carving and painting with his hands and cooking and carpentering with his feet. But if we are considering what did happen, we shall certainly decide that man has distanced everything else with a distance like that of the astronomical spaces and a speed like that of the still thunderbolt of the light. And in the same fashion, while we can if we choose see the Church amid a mob of Mithraic or Manichean superstitions squabbling and killing each other at the end of the Empire, while we can if we choose imagine the Church killed in the struggle and some other chance cult taking its place, we shall be the more surprised (and possibly puzzled) if we meet it two thousand years afterwards rushing through the ages as the winged thunderbolt of thought and everlasting enthusiasm; a thing without rival or resemblance; and still as new as it is old.
I. Människan i grottan
Far away in some strange constellation in skies infinitely remote, there is a small star, which astronomers may some day discover. At least I could never observe in the faces or demeanour of most astronomers or men of science any evidence that they have discovered it; though as a matter of fact they were walking about on it all the time. It is a star that brings forth out of itself very strange plants and very strange animals; and none stranger than the men of science. That at least is the way in which I should begin a history of the world, if I had to follow the scientific custom of beginning with an account of the astronomical universe. I should try to see even this earth from the outside, not by the hackneyed insistence of its relative position to the sun, but by some imaginative effort to conceive its remote position for the dehumanised spectator. Only I do not believe in being dehumanised in order to study humanity. I do not believe in dwelling upon the distances that are supposed to dwarf the world; I think there is even something a trifle vulgar about this idea of trying to rebuke spirit by size. And as the first idea is not feasible, that of making the earth a strange planet so as to make it significant, I will not stoop to the other trick of making it a small planet in order to make it insignificant. I would rather insist that we do not even know that it is a planet at all, in the sense in which we know that it is a place; and a very extraordinary place too. That is the note which I wish to strike from the first, if not in the astronomical, then in some more familiar fashion. One of my first journalistic adventures, or misadventures, concerned a comment on Grant Allen, who had written a book about the Evolution of the Idea of God. I happened to remark that it would be much more interesting if God wrote a book about the evolution of the idea of Grant Allen. And I remember that the editor objected to my remark on the ground that it was blasphemous; which naturally amused me not a little. For the joke of it was, of course, that it never occurred to him to notice the title of the book itself, which really was blasphemous; for it was, when translated into English, 'I will show you how this nonsensical notion that there is God grew up among men.' My remark was strictly pious and proper confessing the divine purpose even in its most seemingly dark or meaningless manifestations. In that hour I learned many things, including the fact that there is something purely acoustic in much of that agnostic sort of reverence. The editor had not seen the point, because in the title of the book the long word came at the beginning and the short word at the end; whereas in my comments the short word came at the beginning and gave him a sort of shock. I have noticed that if you put a word like God into the same sentence with a word like dog, these abrupt and angular words affect people like pistol-shots. Whether you say that God made the dog or the dog made God does not seem to matter; that is only one of the sterile disputations of the too subtle theologians. But so long as you begin with a long word like evolution the rest will roll harmlessly past; very probably the editor had not read the whole of the title, for it is rather a long title and he was rather a busy man. But this little incident has always lingered in my mind as a sort of parable. Most modern histories of mankind begin with the word evolution, and with a rather wordy exposition of evolution, for much the same reason that operated in this case. There is something slow and soothing and gradual about the word and even about the idea. As a matter of fact, it is not, touching these primary things, a very practical word or a very profitable idea. Nobody can imagine how nothing could turn into something. Nobody can get an inch nearer to it by explaining how something could turn into something else. It is really far more logical to start by saying 'In the beginning God created heaven and earth' even if you only mean 'In the beginning some unthinkable power began some unthinkable process.' For God is by its nature a name of mystery, and nobody ever supposed that man could imagine how a world was created any more than he could create one. But evolution really is mistaken for explanation. It has the fatal quality of leaving on many minds the impression that they do understand it and everything else; just as many of them live under a sort of illusion that they have read the Origin of Species. But this notion of something smooth and slow, like the ascent of a slope, is a great part of the illusion. It is an illogicality as well as an illusion; for slowness has really nothing to do with the question. An event is not any more intrinsically intelligible or unintelligible because of the pace at which it moves. For a man who does not believe in a miracle, a slow miracle would be just as incredible as a swift one. The Greek witch may have turned sailors to swine with a stroke of the wand. But to see a naval gentleman of our acquaintance looking a little more like a pig every day, till he ended with four trotters and a curly tail, would not be any more soothing. It might be rather more creepy and uncanny. The medieval wizard may have flown through the air from the top of a tower; but to see an old gentleman walking through the air, in a leisurely and lounging manner, would still seem to call for some explanation. Yet there runs through all the rationalistic treatment of history this curious and confused idea that difficulty is avoided, or even mystery eliminated, by dwelling on mere delay or on something dilatory in the processes of things. There will be something to be said upon particular examples elsewhere; the question here is the false atmosphere of facility and ease given by the mere suggestion of going slow; the sort of comfort that might be given to a nervous old woman travelling for the first time in a motor-car. Mr. H. G. Wells has confessed to being a prophet; and in this matter he was a prophet at his own expense. It is curious that his first fairy-tale was a complete answer to his last book of history. The Time Machine destroyed in advance all comfortable conclusions founded on the mere relativity of time. In that sublime nightmare the hero saw trees shoot up like green rockets, and vegetation spread visibly like a green conflagration, or the sun shoot across the sky from east to west with the swiftness of a meteor. Yet in his sense these things were quite as natural when they went swiftly; and in our sense they are quite as supernatural when they go slowly. The ultimate question is why they go at all; and anybody who really understands that question will know that it always has been and always will be a religious question; or at any rate a philosophical or metaphysical question. And most certainly he will not think the question answered by some substitution of gradual for abrupt change; or, in other words by a merely relative question of the same story being spun out or rattled rapidly through, as can be done with any story at a cinema by turning a handle. Now what is needed for these problems of primitive existence is something more like a primitive spirit. In calling up this vision of the first things, I would ask the reader to make with me a sort of experiment in simplicity. And by simplicity I do not mean stupidity, but rather the sort of clarity that sees things like life rather than words like evolution. For this purpose it would really be better to turn the handle of the Time Machine a little more quickly and see the grass growing and the trees springing up into the sky, if that experiment could contract and concentrate and make vivid the upshot of the whole affair. What we know, in a sense in which we know nothing else, is that the trees and the grass did grow and that number of other extraordinary things do in fact happen; that queer creatures support themselves in the empty air by beating it with fans of various fantastic shapes; that other queer creatures steer themselves about alive under a load of mighty waters; that other queer creatures walk about on four legs, and that the queerest creature of all walks about on two. These are things and not theories; and compared with them evolution and the atom and even the solar system are merely theories. The matter here is one of history and not of philosophy so that it need only be noted that no philosopher denies that a mystery still attaches to the two great transitions: the origin of the universe itself and the origin of the principle of life itself. Most philosophers have the enlightenment to add that a third mystery attaches to the origin of man himself. In other words, a third bridge was built across a third abyss of the unthinkable when there came into the world what we call reason and what we call will. Man is not merely an evolution but rather a revolution. That he has a backbone or other parts upon a similar pattern to birds and fishes is an obvious fact, whatever be the meaning of the fact. But if we attempt to regard him, as it were, as a quadruped standing on his hind legs, we shall find what follows far more fantastic and subversive than if he were standing on his head. I will take one example to serve for an introduction to the story of man. It illustrates what I mean by saying that a certain childish directness is needed to see the truth about the childhood of the world. It illustrates what I mean by saying that a mixture of popular science and journalistic jargon have confused the facts about the first things, so that we cannot see which of them really comes first. It illustrates, though only in one convenient illustration, all that I mean by the necessity of seeing the sharp differences that give its shape to history, instead of being submerged in all these generalisations about slowness and sameness. For we do indeed require, in Mr. Wells's phrase, an outline of history. But we may venture to say, in Mr. Mantalini's phrase, that this evolutionary history has no outline or is a demd outline. But, above all, it illustrates what I mean by saying that the more we really look at man as an animal, the less he will look like one. To-day all our novels and newspapers will be found swarming with numberless allusions to a popular character called a Cave-Man. He seems to be quite familiar to us, not only as a public character but as a private character. His psychology is seriously taken into account in psychological fiction and psychological medicine. So far as I can understand, his chief occupation in life was knocking his wife about, or treating women in general with what is, I believe, known in the world of the film as 'rough stuff.' I have never happened to come upon the evidence for this idea; and I do not know on what primitive diaries or prehistoric divorce-reports it is founded. Nor, as I have explained elsewhere, have I ever been able to see the probability of it, even considered a priori. We are always told without any explanation or authority that primitive man waved a club and knocked the woman down before he carried her off. But on every animal analogy, it would seem an almost morbid modesty and reluctance, on the part of the lady, always to insist on being knocked down before consenting to be carried off. And I repeat that I can never comprehend why, when the male was so very rude, the female should have been so very refined. The cave-man may have been a brute, but there is no reason why he should have been more brutal than the brutes. And the loves of the giraffes and the river romance of the hippopotami are effected without any of this preliminary fracas or shindy. The cave-man may have been no better that the cave-bear; but the child she-bear, so famous in hymnology, is not trained with any such bias for spinsterhood. In short these details of the domestic life of the cave puzzle me upon either the revolutionary or the static hypothesis; and in any case I should like to look into the evidence for them, but unfortunately I have never been able to find it. But the curious thing is this: that while ten thousand tongues of more or less scientific or literary gossip seemed to be talking at once about this unfortunate fellow, under the title of the cave-man, the one connection in which it is really relevant and sensible to talk about him as the cave-man has been comparatively neglected. People have used this loose term in twenty loose ways, but they have never even looked at their own term for what could really be learned from it. In fact, people have been interested in everything about the cave-man except what he did in the cave. Now there does happen to be some real evidence of what he did in the cave. It is little enough, like all the prehistoric evidence, but it is concerned with the real cave-man and his cave and not the literary cave-man and his club. And it will be valuable to our sense of reality to consider quite simply what that real evidence is, and not to go beyond it. What was found in the cave was not the club, the horrible gory club notched with the number of women it had knocked on the head. The cave was not a Bluebeard's Chamber filled with the skeletons of slaughtered wives; it was not filled with female skulls all arranged in rows and all cracked like eggs. It was something quite unconnected, one way or the other, with all the modern phrases and philosophical implications and literary rumours which confuse the whole question for us. And if we wish to see as it really is this authentic glimpse of the morning of the world, it will be far better to conceive even the story of its discovery as some such legend of the land of morning. It would be far better to tell the tale of what was really found as simply as the tale of heroes finding the Golden Fleece or the Gardens of the Hesperides, if we could so escape from a fog of controversial theories into the clear colours and clean-cut outlines of such a dawn. The old epic poets at least knew how to tell a story, possibly a tall story but never a twisted story, never a story tortured out of its own shape to fit theories and philosophies invented centuries afterwards. It would be well if modern investigators could describe their discoveries in the bald narrative style of the earliest travellers, and without any of these long allusive words that are full of irrelevant implication and suggestion. Then we might realise exactly what we do know about the cave-man, or at any rate about the cave. A priest and a boy entered sometime ago a hollow in the hills and passed into a sort of subterranean tunnel that led into a labyrinth of such sealed and secret corridors of rock. They crawled through cracks that seemed almost impassable, they crept through tunnels that might have been made for moles, they dropped into holes as hopeless as wells, they seemed to be burying themselves alive seven times over beyond the hope of resurrection. This is but the commonplace of all such courageous exploration; but what is needed here is some one who shall put such stories in the primary light, in which they are not commonplace. There is, for instance, something strangely symbolic in the accident that the first intruders into that sunken world were a priest and a boy, the types of the antiquity and of youth of the world. But here I am even more concerned with the symbolism of the boy than with that of the priest. Nobody who remembers boyhood needs to be told what it might be to a boy to enter like Peter Pan under a roof of the roots of all the trees and go deeper and deeper, till he reach what William Morris called the very roots of the mountains. Suppose somebody, with that simple and unspoilt realism that is a part of innocence, to pursue that journey to its end, not for the sake of what he could deduce or demonstrate in some dusty magazine controversy, but simply for the sake of what he could see. What he did see at last was a cavern so far from the light of day that it might have been the legendary Domdaniel cavern, that was under the floor of the sea. This secret chamber of rock, when illuminated after its long night of unnumbered ages, revealed on its walls large and sprawling outlines diversified with coloured earths; and when they followed the lines of them they recognised, across that vast and void of ages, the movement and the gesture of a man's hand. They were drawings or paintings of animals; and they were drawn or painted not only by a man but by an artist. Under whatever archaic limitations, they showed that love of the long sweeping or the long wavering line which any man who has ever drawn or tried to draw will recognise; and about which no artist will allow himself to be contradicted by any scientist. They showed the experimental and adventurous spirit of the artist, the spirit that does not avoid but attempt difficult things; as where the draughtsman had represented the action of the stag when he swings his head clean round and noses towards his tail, an action familiar enough in the horse. But there are many modern animal-painters who would set themselves something of a task in rendering it truly. In this and twenty other details it is clear that the artist had watched animals with a certain interest and presumably a certain pleasure. In that sense it would seem that he was not only an artist but a naturalist; the sort of naturalist who is really natural. Now it is needless to note, except in passing, that there is nothing whatever in the atmosphere of that cave to suggest the bleak and pessimistic atmosphere of that journalistic cave of the winds, that blows and bellows about us with countless echoes concerning the cave-man. So far as any human character can be hinted at by such traces of the past, that human character is quite human and even humane. It is certainly not the ideal of an inhuman character, like the abstraction invoked in popular science. When novelists and educationists and psychologists of all sorts talk about the cave-man, they never conceive him in connection with anything that is really in the cave. When the realist of the sex novel writes, 'Red sparks danced in Dagmar Doubledick's brain; he felt the spirit of the cave-man rising within him,' the novelist's readers would be very much disappointed if Dagmar only went off and drew large pictures of cows on the drawing-room wall. When the psycho-analyst writes to a patient, 'The submerged instincts of the cave-man are doubtless prompting you to gratify a violent impulse,' he does not refer to the impulse to paint in water-colours; or to make conscientious studies of how cattle swing their heads when they graze. Yet we do know for a fact that the cave man did these mild and innocent things; and we have not the most minute speck of evidence that he did any of the violent and ferocious things. In other words the cave-man as commonly presented to us is simply a myth or rather a muddle; for a myth has at least an imaginative outline of truth. The whole of the current way of talking is simply a confusion and a misunderstanding, founded on no sort of scientific evidence and valued only as an excuse for a very modern mood of anarchy. If any gentleman wants to knock a woman about, he can surely be a cad without taking away the character of the cave-man, about whom we know next to nothing except what we can gather from a few harmless and pleasing pictures on a wall. But this is not the point about the pictures or the particular moral here to be drawn from them. That moral is something much larger and simpler, so large and simple that when it is first stated it will sound childish. And indeed it is in the highest sense childish; and that is why I have in this apologue in some sense seen it through the eyes of a child. It is the biggest of all the facts really facing the boy in the cavern; and is perhaps too big to be seen. If the boy was one of the flock of the priest, it may be presumed that he had been trained in a certain quality of common sense; that common sense that often comes to us in the form of tradition. In that case he would simply recognise the primitive man's work as the work of a man, interesting but in no way incredible in being primitive. He would see what was there to see; and he would not be tempted into seeing what was not there, by any evolutionary excitement or fashionable speculation. If he had heard of such things he would admit, of course, that the speculations might be true and were not incompatible with the facts that were true. The artist may have had another side to his character besides that which he has alone left on record in his works of art. The primitive man may have taken a pleasure in beating women as well as in drawing animals; all we can say is that the drawings record the one but not the other. It may be true that when the cave-man's finished jumping on his mother, or his wife as the case may be, he loves to hear the little brook a-gurgling, and also to watch the deer as they come down to drink at the brook. These things are not impossible, but they are irrelevant. The common sense of the child could confine itself to learning from the facts what the facts have to teach; and the pictures in the cave are very nearly all the facts there are. So far as that evidence goes, the child would be justified in assuming that a man had represented animals with rock and red ochre for the same reason as he himself was in the habit of trying to represent animals with charcoal and red chalk. The man had drawn a stag just as the child had drawn a horse; because it was fun. The man had drawn a stag with his head turned as the child had drawn a pig with his eyes shut; because it was difficult. The child and the man, being both human, would be united by the brotherhood of men; and the brotherhood of men is even nobler when it bridges the abyss of ages than when it bridges only the chasm of class. But anyhow he would see no evidence of the cave man of crude evolutionism; because there is none to be seen. If somebody told him that the pictures had all been drawn by St. Francis of Assisi out of pure and saintly love of animals, there would be nothing in the cave to contradict it. Indeed I once knew a lady who half-humorously suggested that the cave was a creche, in which the babies were put to be specially safe, and that coloured animals were drawn on the walls to amuse them; very much as diagrams of elephants and giraffes adorn a modern infant school. And though this was but a jest, it does draw attention to some of the other assumptions that we make only too readily. The pictures do not prove even that the cave-men lived in caves, any more than the discovery of a wine-cellar in Balham (long after that suburb had been destroyed by human or divine wrath) would prove that the Victorian middle classes lived entirely underground. The cave might have had a special purpose like the cellar; it might have been a religious shrine or a refuge in war or the meeting place of a secret society or all sorts of things. But it is quite true that its artistic decoration has much more of the atmosphere of a nursery than of any of these nightmares of anarchical fury and fear. I have conceived a child as standing in the cave; and it is easy to conceive any child, modern or immeasurably remote, as making a living gesture as if to pat the painted beasts upon the wall. In that gesture there is a foreshadowing, as we shall see later, of another cavern and another child. But suppose the boy had not been taught by a priest but by a professor, by one of the professors who simplify the relation of men and beasts to a mere evolutionary variation. Suppose the boy saw himself, with the same simplicity and sincerity, as a mere Mowgli running with the pack of nature and roughly indistinguishable from the rest save by a relative and recent variation. What would be for him the simplest lesson of that strange stone picture-book? After all, it would come back to this; that he had dug very deep and found the place where a man had drawn the picture of a reindeer. But he would dig a good deal deeper before he found a place where a reindeer had drawn a picture of a man. That sounds like a truism, but in this connection it is really a very tremendous truth. He might descend to depths unthinkable, he might sink into sunken continents as strange as remote stars, he might find himself in the inside of the world as far from men as the other side of the moon; he might see in those cold chasms or colossal terraces of stone, traced in the faint hieroglyphic of the fossil, the ruins of lost dynasties of biological life, rather like the ruins of successive creations and separate universes than the stages in the story of one. He would find the trail of monsters blindly developing in directions outside all our common imagery of fish and bird; groping and grasping and touching life with every extravagant elongation of horn and tongue and tentacle; growing a forest of fantastic caricatures of the claw and the fin and the finger. But nowhere would he find one finger that had traced one significant line upon the sand; nowhere one claw that had even begun to scratch the faint suggestion of a form. To all appearance, the thing would be as unthinkable in all those countless cosmic variations of forgotten aeons as it would be in the beasts and birds before our eyes The child would no more expect to see it than to see the cat scratch on the wall a vindictive caricature of the dog. The childish common sense would keep the most evolutionary child from expecting to see anything like that; yet in the traces of the rude and recently evolved ancestors of humanity he would have seen exactly that. It must surely strike him as strange that men so remote from him should be so near, and that beasts so near to him should be so remote. To his simplicity it must seem at least odd that he could not find any trace of the beginning of any arts among any animals. That is the simplest lesson to learn in the cavern of the coloured pictures; only it is too simple to be learnt. It is the simple truth that man does differ from the brutes in kind and not in degree; and the proof of it is here; that it sounds like a truism to say that the most primitive man drew a picture of a monkey and that it sounds like a joke to say that the most intelligent monkey drew a picture of a man. Something of division and disproportion has appeared; and it is unique. Art is the signature of man. That is the sort of simple truth with which a story of the beginnings ought really to begin. The evolutionist stands staring in the painted cavern at the things that are too large to be seen and too simple to be understood. He tries to deduce all sorts of other indirect and doubtful things from the details of the pictures, because he can not see the primary significance of the whole; thin and theoretical deductions about the absence of religion or the presence of superstition; about tribal government and hunting and human sacrifice and heaven knows what. In the next chapter I shall try to trace in a little more detail the much disputed question about these prehistoric origins of human ideas and especially of the religious idea. Here I am only taking this one case of the cave as a sort of symbol of the simpler sort of truth with which the story ought to start. When all is said, the main fact that the record of the reindeer men attests, along with all other records, is that the reindeer man could draw and the reindeer could not. If the reindeer man was as much an animal as the reindeer, it was all the more extraordinary that he could do what all other animals could not. If he was an ordinary product of biological growth, like any other beast or bird, then it is all the more extraordinary that he was not in the least like any other beast or bird. He seems rather more supernatural as a natural product than as a supernatural one. But I have begun this story in the cave, like the cave of the speculations of Plato, because it is a sort of model of the mistake of merely evolutionary introductions and prefaces. It is useless to begin by saying that everything was slow and smooth and a mere matter of development and degree. For in the plain matter like the pictures there is in fact not a trace of any such development or degree. Monkeys did not begin pictures and men finish them; Pithecanthropus did not draw a reindeer badly and Homo Sapiens draw it well. The higher animals did not draw better and better portraits; the dog did not paint better in his best period than in his early bad manner as a jackal; the wild horse was not an Impressionist and the race-horse a Post-Impressionist. All we can say of this notion of reproducing things in shadow or representative shape is that it exists nowhere in nature except in man; and that we cannot even talk about it without treating man as something separate from nature. In other words, every sane sort of history must begin with man as man, a thing standing absolute and alone. How he came there, or indeed how anything else came there, is a thing for theologians and philosophers and scientists and not for historians. But an excellent test case of this isolation and mystery is the matter of the impulse of art. This creature was truly different from all other creatures; because he was a creator as well as a creature. Nothing in that sense could be made in any other image but the image of man. But the truth is so true that, even in the absence of any religious belief, it must be assumed in the form of some moral or metaphysical principle. In the next chapter we shall see how this principle applies to all the historical hypotheses and evolutionary ethics now in fashion; to the origins of tribal government or mythological belief. But the clearest and most convenient example to start with is this popular one of what the cave-man really did in his cave. It means that somehow or other a new thing had appeared in the cavernous night of nature, a mind that is like a mirror. It is like a mirror because it is truly a thing of reflection. It is like a mirror because in it alone all the other shapes can be seen like shining shadows in a vision. Above all, it is like a mirror because it is the only thing of its kind. Other things may resemble it or resemble each other in various ways; other things may excel it or excel each other in various ways; just as in the furniture of a room a table may be round like a mirror or a cupboard may be larger than a mirror. But the mirror is the only thing that can contain them all. Man is the microcosm; man is the measure of all things; man is the image of God These are the only real lessons to be learnt in the cave, and it is time to leave it for the open road. It will be well in this place, however, to sum up once and for all what is meant by saying that man is at once the exception to everything and the mirror and the measure of all things. But to see man as he is, it is necessary once more to keep close to that simplicity that can clear itself of accumulated clouds of sophistry. The simplest truth about man is that he is a very strange being; almost in the sense of being a stranger on the earth. In all sobriety, he has much more of the external appearance of one bringing alien habits from another land than of a mere growth of this one. He has an unfair advantage and an unfair disadvantage. He cannot sleep in his own skin; he cannot trust his own instincts. He is at once a creator moving miraculous hands and fingers and a kind of cripple. He is wrapped in artificial bandages called clothes; he is propped on artificial crutches called furniture. His mind has the same doubtful liberties and the same wild limitations. Alone among the animals, he is shaken with the beautiful madness called laughter; as if he had caught sight of some secret in the very shape of the universe hidden from the universe itself. Alone among the animals he feels the need of averting his thought from the root realities of his own bodily being; of hiding them as in the presence of some higher possibility which creates the mystery of shame. Whether we praise these things as natural to man or abuse them as artificial in nature, they remain in the same sense unique. This is realised by the whole popular instinct called religion, until disturbed by pedants, especially the laborious pedants of the Simple Life. The most sophistical of all sophists are gymnosophists. It is not natural to see man as a natural product. It is not common sense to call man a common object of the country or the seashore. It is not seeing straight to see him as an animal. It is not sane. It sins against the light; against that broad daylight of proportion which is the principle of all reality. It is reached by stretching a point, by making out a case, by artificially selecting a certain light and shade, by bringing into prominence the lesser or lower things which may happen to be similar. The solid thing standing in the sunlight, the thing we can walk round and see from all sides, is quite different. It is also quite extraordinary, and the more sides we see of it the more extraordinary it seems. It is emphatically not a thing that follows or flows naturally from anything else. If we imagine that an inhuman or impersonal intelligence could have felt from the first the general nature of the non-human world sufficiently to see that things would evolve in whatever way they did evolve, there would have been nothing whatever in all that natural world to prepare such a mind for such an unnatural novelty. To such a mind, man would most certainly not have seemed something like one herd out of a hundred herds finding richer pasture, or one swallow out of a hundred swallows making a summer under a strange sky. It would not be in the same scale and scarcely in the same dimension. We might as truly say that it would not be in the same universe. It would be more like seeing one cow out of a hundred cows suddenly jump over the moon or one pig out of a hundred pigs grow wings in a flash and fly. It would not be a question of the cattle finding their own grazing ground but of their building their own cattle-sheds, not a question of one swallow making a summer but of his making a summer house. For the very fact that birds do build nests is one of those similarities that sharpen the startling difference. The very fact that a bird can get as far as building a nest, and cannot get any farther, proves that he has not a mind as man has a mind; it proves it more completely than if he built nothing at all. If he built nothing at all, he might possibly be a philosopher of the Quietist or Buddhistic school, indifferent to all but the mind within. But when he builds as he does build and is satisfied and sings aloud with satisfaction, then we know there is really an invisible veil like a pane of glass between him and us, like the window on which a bird will beat in vain. But suppose our abstract onlooker saw one of the birds begin to build as men build. Suppose in an incredibly short space of time there were seven styles of architecture for one style of nest. Suppose the bird carefully selected forked twigs and pointed leaves to express the piercing piety of Gothic, but turned to broad foliage and black mud when he sought in a darker mood to call up the heavy columns of Bel and Ashtaroth; making his nest indeed one of the hanging gardens of Babylon. Suppose the bird made little clay statues of birds celebrated in letters or politics and stuck them up in front of the nest. Suppose that one bird out of a thousand birds began to do one of the thousand things that man had already done even in the morning of the world; and we can be quite certain that the onlooker would not regard such a bird as a mere evolutionary variety of the other birds; he would regard it as a very fearful wild-fowl indeed; possibly as a bird of ill-omen, certainly as an omen. That bird would tell the augurs, not of something that would happen, but of some thing that had happened. That something would be the appearance of a mind with a new dimension of depth; a mind like that of man. If there be no God, no other mind could conceivably have foreseen it. Now, as a matter of fact, there is not a shadow of evidence that this thing was evolved at all. There is not a particle of roof that this transition came slowly, or even that it came naturally. In a strictly scientific sense, we simply know nothing whatever about how it grew, or whether it grew, or what it is. There may be a broken trail of stone and bone faintly suggesting the development of the human body. There is nothing even faintly suggesting such a development of this human mind. It was not and it was; we know not in what instant or in what infinity of years. Something happened; and it has all the appearance of a transaction outside of time. It has therefore nothing to do with history in the ordinary sense. The historian must take it or something like it for granted; it is not his business as a historian to explain it. But if he cannot explain it as a historian, he will not explain it as a biologist. In neither case is there any disgrace to him in accepting it without explaining it; for it is a reality, and history and biology deal with realities. He is quite justified in calmly confronting the pig with wings and the cow that jumped over the moon, merely because they have happened. He can reasonably accept man as a freak, because he accepts man as a fact. He can be perfectly comfortable in a crazy and disconnected world, or in a world that can produce such a crazy and disconnected thing. For reality is a thing in which we can all repose, even if it hardly seems related to anything else. The thing is there; and that is enough for most of us. But if we do indeed want to know how it can conceivably have come there, if we do indeed wish to see it related realistically to other things, if we do insist on seeing it evolved before our very eyes from an environment nearer to its own nature, then assuredly it is to very different things that we must go. We must stir very strange memories and return to very simple dreams, if we desire some origin that can make man other than a monster. We shall have discovered very different causes before he becomes a creature of causation; and invoked other authority to turn him into something reasonable, or even into anything probable. That way lies all that is at once awful and familiar and forgotten, with dreadful faces thronged and fiery arms. We can accept man as a fact, if we are content with an unexplained fact. We can accept him as an animal, if we can live with a fabulous animal. But if we must needs have sequence and necessity, then indeed we must provide a prelude and crescendo of mounting miracles, that ushered in with unthinkable thunders in all the seven heavens of another order, a man may be an ordinary thing.
II. Professorer och den förhistoriska människan
Science is weak about these prehistoric things in a way that has hardly been noticed. The science whose modern marvels we all admire succeeds by incessantly adding to its data. In all practical inventions, in most natural discoveries, it can always increase evidence by experiment. But it cannot experiment in making men; or even in watching to see what the first men make. An inventor can advance step by step in the construction of an aeroplane, even if he is only experimenting with sticks and scraps of metal in his own back-yard. But he cannot watch the Missing Link evolving in his own back-yard. If he has made a mistake in his calculations, the aeroplane will correct it by crashing to the ground. But if he has made a mistake about the arboreal habitat of his ancestor, he cannot see his arboreal ancestor falling off the tree. He cannot keep a cave-man like a cat in the back-yard and watch him to see whether he does really practice cannibalism or carry off his mate on the principles of marriage by capture. He cannot keep a tribe of primitive men like a pack of hounds and notice how far they are influenced by the herd instinct. If he sees a particular bird behave in a particular way, he can get other birds and see if they behave in that way; but if he finds a skull, or the scrap of a skull, in the hollow of a hill, he cannot multiply it into a vision of the valley of dry bones. In dealing with a past that has almost entirely perished, he can only go by evidence and not by experiment. And there is hardly enough evidence to be even evidential. Thus while most science moves in a sort of curve, being constantly corrected by new evidence, this science flies off into space in a straight line uncorrected by anything. But the habit of forming conclusions, as they can really be formed in more fruitful fields, is so fixed in the scientific mind that it cannot resist talking like this. It talks about the idea suggested by one scrap of bone as if it were something like the aeroplane which is constructed at last out of whole scrapheaps of scraps of metal. The trouble with the professor of the prehistoric is that he cannot scrap his scrap. The marvellous and triumphant aeroplane is made out of a hundred mistakes. The student of origins can only make one mistake and stick to it. We talk very truly of the patience of science; but in this department it would be truer to talk of the impatience of science. Owing to the difficulty above described, the theorist is in far too much of a hurry. We have a series of hypotheses so hasty that they may well be called fancies, and cannot in any case be further corrected by facts. The most empirical anthropologist is here as limited as an antiquary. He can only cling to a fragment of the past and has no way of increasing it for the future He can only clutch his fragment of fact, almost as the primitive man clutched his fragment of flint. And indeed he does deal with it in much the same way and for much the same reason. It is his tool and his only tool. It is his weapon and his only weapon. He often wields it with a fanaticism far in excess of anything shown by men of science when they can collect more facts from experience and even add new facts by experiment. Sometimes the professor with his bone becomes almost as dangerous as a dog with his bone. And the dog at least does not deduce a theory from it, proving that mankind is going to the dogs--or that it came from them. For instance, I have pointed out the difficulty of keeping a monkey and watching it evolve into a man. Experimental evidence of such an evolution being impossible, the professor is not content to say (as most of us would be ready to say) that such an evolution is likely enough anyhow. He produces his little bone, or little collection of bones, and deduces the most marvellous things from it. He found in Java a piece of a skull, seeming by its contour to be smaller than the human. Somewhere near it he found an upright thigh-bone and in the same scattered fashion some teeth that were not human. If they all form part of one creature, which is doubtful, our conception of the creature would be almost equally doubtful. But the effect on popular science was to produce a complete and even complex figure, finished down to the last details of hair and habits. He was given a name as if he were an ordinary historical character. People talked of Pithecanthropus as of Pitt or Fox or Napoleon. Popular histories published portraits of him like the portraits of Charles the First and George the Fourth. A detailed drawing was reproduced, carefully shaded, to show that the very hairs of his head were all numbered No uninformed person looking at its carefully lined face and wistful eyes would imagine for a moment that this was the portrait of a thigh-bone; or of a few teeth and a fragment of a cranium. In the same way people talked about him as if he were an individual whose influence and character were familiar to us all. I have just read a story in a magazine about Java, and how modern white inhabitants of that island are prevailed on to misbehave themselves by the personal influence of poor old Pithecanthropus. That the modern inhabitants of Java misbehave themselves I can very readily believe; but I do not imagine that they need any encouragement from the discovery of a few highly doubtful bones. Anyhow, those bones are far too few and fragmentary and dubious to fill up the whole of the vast void that does in reason and in reality lie between man and his bestial ancestors, if they were his ancestors. On the assumption of that evolutionary connection (a connection which I am not in the least concerned to deny), the really arresting and remarkable fact is the comparative absence of any such remains recording that connection at that point. The sincerity of Darwin really admitted this; and that is how we came to use such a term as the Missing Link. But the dogmatism of Darwinians has been too strong for the agnosticism of Darwin; and men have insensibly fallen into turning this entirely negative term into a positive image. They talk of searching for the habits and habitat of the Missing Link; as if one were to talk of being on friendly terms with the gap in a narrative or the hole in an argument, of taking a walk with a non-sequitur or dining with an undistributed middle. In this sketch, therefore, of man in his relation to certain religious and historical problems, I shall waste no further space on these speculations on the nature of man before he became man. His body may have been evolved from the brutes; but we know nothing of any such transition that throws the smallest light upon his soul as it has shown itself in history. Unfortunately the same school of writers pursue the same style of reasoning when they come to the first real evidence about the first real men. Strictly speaking of course we know nothing about prehistoric man, for the simple reason that he was prehistoric. The history of prehistoric man is a very obvious contradiction in terms. It is the sort of unreason in which only rationalists are allowed to indulge. If a parson had casually observed that the Flood was ante-diluvian, it is possible that he might be a little chaffed about his logic. If a bishop were to say that Adam was Preadamite, we might think it a little odd. But we are not supposed to notice such verbal trifles when sceptical historians talk of the part of history that is prehistoric. The truth is that they are using the terms historic and prehistoric without any clear test or definition in their minds. What they mean is that there are traces of human lives before the beginning of human stories; and in that sense we do at least know that humanity was before history. Human civilisation is older than human records. That is the sane way of stating our relations to these remote things. Humanity has left examples of its other arts earlier than the art of writing; or at least of any writing that we can read. But it is certain that the primitive arts were arts; and it is in every way probable that the primitive civilisations were civilisations. The man left a picture of the reindeer, but he did not leave a narrative of how he hunted the reindeer; and therefore what we say of him is hypothesis and not history. But the art he did practice was quite artistic; his drawing was quite intelligent and there is no reason to doubt that his story of the hunt would be quite intelligent, only if it exists it is not intelligible. In short, the prehistoric period need not mean the primitive period, in the sense of the barbaric or bestial period. It does not mean the time before civilisation or the time before arts and crafts. It simply means the time before any connected narratives that we can read. This does indeed make all the practical difference between remembrance and forgetfulness; but it is perfectly possible that there were all sorts of forgotten forms of civilisation, as well as all sorts of forgotten forms of barbarism. And in any case everything indicated that many of these forgotten or half-forgotten social stages were much more civilised and much less barbaric than is vulgarly imagined today. But even about these unwritten histories of humanity, when humanity was quite certainly human, we can only conjecture with the greatest doubt and caution. And unfortunately doubt and caution are the last things commonly encouraged by the loose evolutionism of current culture. For that culture is full of curiosity; and the one thing that it cannot endure is the agony of agnosticism. It was in the Darwinian age that the word first became known and the thing first became impossible. It is necessary to say plainly that all this ignorance is simply covered by impudence. Statements are made so plainly and positively that men have hardly the moral courage to pause upon them and find that they are without support. The other day a scientific summary of the state of a prehistoric tribe began confidently with the words 'They wore no clothes.' Not one reader in a hundred probably stopped to ask himself how we should come to know whether clothes had once been worn by people of whom everything has perished except a few chips of bone and stone. It was doubtless hoped that we should find a stone hat as well as a stone hatchet. It was evidently anticipated that we might discover an everlasting pair of trousers of the same substance as the everlasting rock. But to persons of a less sanguine temperament it will be immediately apparent that people might wear simple garments, or even highly ornamental garments, without leaving any more traces of them than these people have left. The plaiting of rushes and grasses, for instance, might have become more and more elaborate without in the least becoming more eternal. One civilisation might specialise in things that happened to be perishable, like weaving and embroidery, and not in things that happen to be more permanent, like architecture and sculpture. There have been plenty of examples of such specialist societies. A man of the future finding the ruins of our factory machinery might as fairly say that we were acquainted with iron and with no other substance; and announce the discovery that the proprietor and manager of the factory undoubtedly walked about naked-- or possibly wore iron hats and trousers. It is not contended here that these primitive men did wear clothes any more than they did weave rushes; but merely that we have not enough evidence to know whether they did or not. But it may be worthwhile to look back for a moment at some of the very few things that we do know and that they did do. If we consider them, we shall certainly not find them inconsistent with such ideas as dress and decoration. We do not know whether they decorated other things. We do not know whether they had embroideries, and if they had the embroideries could not be expected to have remained. But we do know that they did have pictures; and the pictures have remained. And there remains with them, as already suggested, the testimony to something that is absolute and unique; that belongs to man and to nothing else except man; that is a difference of kind and not a difference of degree. A monkey does not draw clumsily and a man cleverly; a monkey does not begin the art of representation and a man carry it to perfection. A monkey does not do it at all; he does not begin to do it at all; he does not begin to begin to do it at all. A line of some kind is crossed before the first faint line can begin. Another distinguished writer, again, in commenting on the cave drawings attributed to the neolithic men of the reindeer period, said that none of their pictures appeared to have any religious purpose; and he seemed almost to infer that they had no religion. I can hardly imagine a thinner thread of argument than this which reconstructs the very inmost moods of the pre-historic mind from the fact that somebody who has scrawled a few sketches on a rock, from what motive we do not know, for what purpose we do not know, acting under what customs or conventions we do not know, may possibly have found it easier to draw reindeer than to draw religion. He may have drawn it because it was his religious symbol. He may have drawn it because it was not his religious symbol. He may have drawn anything except his religious symbol. He may have drawn his real religious symbol somewhere else; or it may have been deliberately destroyed when it was drawn. He may have done or not done half a million things; but in any case it is an amazing leap of logic to infer that he had no religious symbol, or even to infer from his having no religious symbol that he had no religion. Now this particular case happens to illustrate the insecurity of these guesses very clearly. For a little while afterwards, people discovered not only paintings but sculptures of animals in the caves. Some of these were said to be damaged with dints or holes supposed to be the marks of arrows; and the damaged images were conjectured to be the remains of some magic rite of killing the beasts in effigy; while the undamaged images were explained in connection with another magic rite invoking fertility upon the herds. Here again there is something faintly humorous about the scientific habit of having it both ways. If the image is damaged it proves one superstition and if it is undamaged it proves another. Here again there is a rather reckless jumping to conclusions; it has hardly occurred to the speculators that a crowd of hunters imprisoned in winter in a cave might conceivably have aimed at a mark for fun, as a sort of primitive parlour game. But in any case, if it was done out of superstition, what has become of the thesis that it had nothing to do with religion? The truth is that all this guess work has nothing to do with anything. It is not half such a good parlour game as shooting arrows at a carved reindeer, for it is shooting them into the air. Such speculators rather tend to forget, for instance, that men in the modern world also sometimes make marks in caves. When a crowd of trippers is conducted through the labyrinth of the Marvelous Grotto or the Magic Stalactite Cavern, it has been observed that hieroglyphics spring into sight where they have passed; initials and inscriptions which the learned refuse to refer to any remote date. But the time will come when these inscriptions will really be of remote date. And if the professors of the future are anything like the professors of the present, they will be able to deduce a vast number of very vivid and interesting things from these cave-writings of the twentieth century. If I know anything about the breed, and if they have not fallen away from the full-blooded confidence of their fathers, they will be able to discover the most fascinating facts about us from the initials left in the Magic Grotto by 'Arry and 'Arriet, possibly in the form of two intertwined A's. From this alone they will know (1) That as the letters are rudely chipped with a blunt pocket knife, the twentieth century possessed no delicate graving-tools and was unacquainted with the art of sculpture. (2) That as the letters are capital letters, our civilisation never evolved any small letters or anything like a running hand. (3) That because initial consonants stand together in an unpronounceable fashion, our language was possibly akin to Welsh or more probably of the early Semitic type that ignored vowels. (4) That as the initials of 'Arry and 'Arriet do not in any special fashion profess to be religious symbols, our civilisation possessed no religion. Perhaps the last is about the nearest to the truth; for a civilisation that had religion would have a little more reason. It is commonly affirmed, again, that religion grew in a very slow and evolutionary manner; and even that it grew not from one cause; but from a combination that might be called a coincidence. Generally speaking, the three chief elements in the combination are, first, the fear of the chief of the tribe (whom Mr. Wells insists on calling, with regrettable familiarity, the Old Man), second, the phenomena of dreams, and third, the sacrificial associations of the harvest and the resurrection symbolised in the growing corn. I may remark in passing that it seems to me very doubtful psychology to refer one living and single spirit to three dead and disconnected causes, if they were merely dead and disconnected causes. Suppose Mr. Wells, in one of his fascinating novels of the future, were to tell us that there would arise among men a new and as yet nameless passion, of which men will dream as they dream of first love, for which they will die as they die for a flag and a fatherland. I think we should be a little puzzled if he told us that this singular sentiment would be a combination of the habit of smoking Woodbines, the increase of the income tax and the pleasure of a motorist in exceeding the speed limit. We could not easily imagine this, because we could not imagine any connection between the three or any common feeling that could include them all. Nor could anyone imagine any connection between corn and dreams and an old chief with a spear, unless there was already a common feeling to include them all. But if there was such a common feeling it could only be the religious feeling; and these things could not be the beginnings of a religious feeling that existed already. I think anybody's common sense will tell him that it is far more likely that this sort of mystical sentiment did exist already; and that in the light of it dreams and kings and corn-fields could appear mystical then, as they can appear mystical now. For the plain truth is that all this is a trick of making things seem distant and dehumanised, merely by pretending not to understand things that we do understand. It is like saying that prehistoric men had an ugly and uncouth habit of opening their mouths wide at intervals and stuffing strange substances into them, as if we had never heard of eating. It is like saying that the terrible Troglodytes of the Stone Age lifted alternate legs in rotation, as if we never heard of walking. If it were meant to touch the mystical nerve and awaken us to the wonder of walking and eating, it might be a legitimate fancy. As it is here intended to kill the mystical nerve and deaden us to the wonder of religion, it is irrational rubbish. It pretends to find some thing incomprehensible in the feelings that we all comprehend. Who does not find dreams mysterious, and feel that they lie on the dark borderland of being? Who does not feel the death and resurrection of the growing things of the earth as something near to the secret of the universe? Who does not understand that there must always be the savour of something sacred about authority and the solidarity that is the soul of the tribe? If there be any anthropologist who really finds these things remote and impossible to realise, we can say nothing of that scientific gentleman except that he has not got so large and enlightened a mind as a primitive man. To me it seems obvious that nothing but a spiritual sentiment already active could have clothed these separate and diverse things with sanctity. To say that religion came from reverencing a chief or sacrificing at a harvest is to put a highly elaborate cart before a really primitive horse. It is like saying that the impulse to draw pictures came from the contemplation of the pictures of reindeers in the cave. In other words, it is explaining painting by saying that it arose out of the work of painters; or accounting for art by saying that it arose out of art. It is even more like saying that the thing we call poetry arose as the result of certain customs; such as that of an ode being officially composed to celebrate the advent of spring; or that of a young man rising at a regular hour to listen to the skylark and then writing his report on a piece of paper. It is quite true that young men often become poets in the spring; and it is quite true that when once there are poets, no mortal power can restrain them from writing about the skylark But the poems did not exist before the poets. The poetry did not arise out of the poetic forms. In other words, it is hardly an adequate explanation of how a thing appeared for the first time to say it existed already. Similarly, we cannot say that religion arose out of the religious forms, because that is only another way of saying that it only arose when it existed already. It needed a certain sort of mind to see that there was anything mystical about the dreams or the dead, as it needed a particular sort of mind to see that there was any thing poetical about the skylark or the spring. That mind was presumably what we call the human mind, very much as it exists to this day; for mystics still meditate upon death and dreams as poets still write about spring and skylarks. But there is not the faintest hint to suggest that anything short of the human mind we know feels any of these mystical associations at all. A cow in a field seems to derive no lyrical impulse or instruction from her unrivalled opportunities for listening to the skylark. And similarly there is no reason to suppose that live sheep will ever begin to use dead sheep as the basis of a system of elaborate ancestor-worship. It is true that in the spring a young quadruped's fancy may lightly turn to thoughts of love, but no succession of springs has ever led it to turn however lightly to thoughts of literature. And in the same way, while it is true that a dog has dreams, while most other quadrupeds do not seem even to have that, we have waited a long time for the dog to develop his dreams into an elaborate system or religious ceremonial. We have waited so long that we have really ceased to expect it; and we no more look to see a dog apply his dreams to ecclesiastical construction than to see him examine his dreams by the rules of psycho-analysis. It is obvious, in short, that for some reason or other these natural experiences, and even natural excitements, never do pass the line that separates them from creative expression like art and religion, in any creature except man. They never do, they never have, and it is now to all appearance very improbable that they ever will. It is not impossible, in the sense of self-contradictory, that we should see cows fasting from grass every Friday or going on their knees as in the old legend about Christmas Eve. It is not in that sense impossible that cows should contemplate death until they can lift up a sublime psalm of lamentation to the tune the old cow died of. It is not in that sense impossible that they should express their hopes of a heavenly career in a symbolic dance, in honour of the cow that jumped over the moon. It may be that the dog will at last have laid in a sufficient store of dreams to enable him to build a temple to Cerberus as a sort of canine trinity. It may be that his dreams have already begun to turn into visions capable of verbal expression, in some revelation about the Dog Star as the spiritual home for lost dogs. These things are logically possible, in the sense that it is logically difficult to prove the universal negative which we call an impossibility. But all that instinct for the probable, which we call common sense, must long ago have told us that the animals are not to all appearance evolving in that sense; and that, to say the least, we are not likely to have any personal evidence of their passing from the animal experience to the human experiments. But spring and death and even dreams, considered merely as experiences, are their experiences as much as ours. The only possible conclusion is that these experiences, considered as experiences, do not generate anything like a religious sense in any mind except a mind like ours. We come back to the fact of a certain kind of mind that was already alive and alone. It was unique and it could make creeds as it could make cave-drawings. The materials for religion had lain there for countless ages like the materials for everything else; but the power of religion was in the mind. Man could already see in these things the riddles and hints and hopes that he still sees in them. He could not only dream but dream about dreams. He could not only see the dead but see the shadow of death; and was possessed with that mysterious mystification that forever finds death incredible. It is quite true that we have even these hints chiefly about man when he unmistakably appears as man. We cannot affirm this or anything else about the alleged animal originally connecting man and the brutes. But that is only because he is not an animal but an allegation. We cannot be certain the Pithecanthropus ever worshipped, because we cannot be certain that he ever lived. He is only a vision called up to fill the void that does in fact yawn between the first creatures who were certainly men and any other creatures that are certainly apes or other animals. A few very doubtful fragments are scraped together to suggest such an intermediate creature because it is required by a certain philosophy; but nobody supposes that these are sufficient to establish anything philosophical even in support of that philosophy. A scrap of skull found in Java cannot establish anything about religion or about the absence of religion. If there ever was any such ape-man, he may have exhibited as much ritual in religion as a man or as much simplicity in religion as an ape. He may have been a mythologist or he may have been a myth. It might be interesting to inquire whether this mystical quality appeared in a transition from the ape to the man, if there were really any types of the transition to inquire about. In other words, the missing link might or might not be mystical if he were not missing. But compared with the evidence we have of real human beings, we have no evidence that he was a human being or a half-human being or a being at all. Even the most extreme evolutionists do not attempt to deduce any evolutionary views about the origin of religion from him. Even in trying to prove that religion grew slowly from rude or irrational sources, they begin their proof with the first men who were men. But their own proof only proves that the men who were already men were already mystics. They used the rude and irrational elements as only men and mystics can use them. We come back once more to the simple truth; that at sometime too early for these critics to trace, a transition had occurred to which bones and stones cannot in their nature bear witness; and man became a living soul. Touching this matter of the origin of religion, the truth is that those who are thus trying to explain it are trying to explain it away. Subconsciously they feel that it looks less formidable when thus lengthened out into a gradual and almost invisible process. But in fact this perspective entirely falsifies the reality of experience. They bring together two things that are totally different, the stray hints of evolutionary origins and the solid and self-evident block of humanity, and try to shift their standpoint till they see them in a single foreshortened line. But it is an optical illusion. Men do not in fact stand related to monkeys or missing links in any such chain as that in which men stand related to men. There may have been intermediate creatures whose faint traces can be found here and there in the huge gap. Of these beings, if they ever existed, it may be true that they were things very unlike men or men very unlike ourselves. But of prehistoric men, such as those called the cave-men or the reindeer men, it is not true in any sense whatever. Prehistoric men of that sort were things exactly like men and men exceedingly like our selves. They only happened to be men about whom we do not know much, for the simple reason that they have left no records or chronicles; but all that we do know about them makes them just as human and ordinary as men in a medieval manor or a Greek city. Looking from our human standpoint up the long perspective of humanity, we simply recognise this thing as human. If we had to recognise it as animal we should have had to recognise it as abnormal. If we chose to look through the other end of the telescope, as I have done more than once in these speculations, if we chose to project the human figure forward out of an unhuman world, we could only say that one of the animals had obviously gone mad. But seeing the thing from the right end, or rather from the inside, we know it is sanity; and we know that these primitive men were sane. We hail a certain human freemasonry wherever we see it, in savages, in foreigners or in historical characters. For instance, all we can infer from primitive legend, and all we know of barbaric life, supports a certain moral and even mystical idea of which the commonest symbol is clothes. For clothes are very literally vestments and man wears them because he is a priest. It is true that even as an animal he is here different from the animals. Nakedness is not nature to him; it is not his life but rather his death; even in the vulgar sense of his death of cold. But clothes are worn for dignity or decency or decoration where they are not in any way wanted for warmth. It would sometimes appear that they are valued for ornament before they are valued for use. It would almost always appear that they are felt to have some connection with decorum. Conventions of this sort vary a great deal with various times and places; and there are some who cannot get over this reflection, and for whom it seems a sufficient argument for letting all conventions slide. They never tire of repeating, with simple wonder, that dress is different in the Cannibal Islands and in Camden Town; they cannot get any further and throw up the whole idea of decency in despair. They might as well say that because there have been hats of a good many different shapes, and some rather eccentric shapes, therefore hats do not matter or do not exist. They would probably add that there is no such thing as sunstroke or going bald. Men have felt everywhere that certain norms were necessary to fence off and protect certain private things from contempt or coarse misunderstanding; and the keeping of those forms, whatever they were, made for dignity and mutual respect. The fact that they mostly refer, more or less remotely, to the relations of the sexes illustrates the two facts that must be put at the very beginning of the record of the race. The first is the fact that original sin is really original. Not merely in theology but in history it is a thing rooted in the origins. Whatever else men have believed, they have all believed that there is something the matter with mankind This sense of sin has made it impossible to be natural and have no clothes, just as it has made it impossible to be natural and have no laws. But above all it is to be found in that other fact, which is the father and mother of all laws as it is itself founded on a father and mother; the thing that is before all thrones and even all commonwealths. That fact is the family. Here again we must keep the enormous proportions of a normal thing clear of various modifications and degrees and doubts more or less reasonable, like clouds clinging about a mountain. It may be that what we call the family had to fight its way from or through various anarchies and aberrations; but it certainly survived them and is quite as likely as not to have also preceded them. As we shall see in the case of communism and nomadism, more formless things could and did lie on the flank of societies that had taken a fixed form; but there is nothing to show that the form did not exist before the formlessness. What is vital is that form is more important than formlessness; and that the material called mankind has taken this form. For instance, of the rules revolving round sex, which were recently mentioned, none is more curious than the savage custom commonly called the couvade. That seems like a law out of topsyturvydom; by which the father is treated as if he were the mother. In any case it clearly involves the mystical sense of sex; but many have maintained that it is really a symbolic act by which the father accepts the responsibility of fatherhood. In that case that grotesque antic is really a very solemn act; for it is the foundation of all we call the family and all we know as human society. Some groping in these dark beginnings have said that mankind was once under a matriarchy; I suppose that under a matriarchy it would not be called mankind but womankind. But others have conjectured that what is called matriarchy was simply moral anarchy, in which the mother alone remained fixed because all the fathers were fugitive and irresponsible. Then came the moment when the man decided to guard and guide what he had created. So he became the head of the family, not as a bully with a big club to beat women with, but rather as a respectable person trying to be a responsible person. Now all that might be perfectly true, and might even have been the first family act, and it would still be true that man then for the first time acted like a man, and therefore for the first time became fully a man. But it might quite as well be true that the matriarchy or moral anarchy, or whatever we call it, was only one of the hundred social dissolutions or barbaric backslidings which may have occurred at intervals in prehistoric as they certainly did in historic times. A symbol like the couvade, if it was really such a symbol, may have commemorated the suppression of a heresy rather than the first rise of a religion. We cannot conclude with any certainty about these things, except in their big results in the building of mankind, but we can say in what style the bulk of it and the best of it is built. We can say that the family is the unit of the state; that it is the cell that makes up the formation. Round the family do indeed gather the sanctities that separate men from ants and bees. Decency is the curtain of that tent; liberty is the wall of that city; property is but the family farm; honour is but the family flag. In the practical proportions of human history, we come back to that fundamental of the father and the mother and the child. It has been said already that if this story cannot start with religious assumptions, it must none the less start with some moral or metaphysical assumptions, or no sense can be made of the story of man. And this is a very good instance of that alternative necessity. If we are not of those who begin by invoking a divine Trinity, we must none the less invoke a human Trinity; and see that triangle repeated everywhere in the pattern of the world. For the highest event in history, to which all history looks forward and leads up, is only something that is at once the reversal and the renewal of that triangle. Or rather it is the one triangle superimposed so as to intersect the other, making a sacred pentacle of which, in a mightier sense than that of the magicians, the fiends are afraid. The old Trinity was of father and mother and child and is called the human family. The new is of child and mother and father and has the name of the Holy Family. It is in no way altered except in being entirely reversed; just as the world which is transformed was not in the least different, except in being turned upside-down.
III. Civilisationens uråldrighet
The modern man looking at the most ancient origins has been like a man watching for daybreak in a strange land; and expecting to see that dawn breaking behind bare uplands or solitary peaks. But that dawn is breaking behind the black bulk of great cities long builded and lost for us in the original night; colossal cities like the houses of giants, in which even the carved ornamental animals are taller than the palm-trees; in which the painted portrait can be twelve times the size of the man; with tombs like mountains of man set four-square and pointing to the stars; with winged and bearded bulls standing and staring enormous at the gates of temples; standing still eternally as if a stamp would shake the world. The dawn of history reveals a humanity already civilized. Perhaps it reveals a civilisation already old. And among other more important things, it reveals the folly of most of the generalisations about the previous and unknown period when it was really young. The two first human societies of which we have any reliable and detailed record are Babylon and Egypt. It so happens that these two vast and splendid achievements of the genius of the ancients bear witness against two of the commonest and crudest assumptions of the culture of the moderns. If we want to get rid of half the nonsense about nomads and cave-men and the old man of the forest, we need only look steadily at the two solid and stupendous facts called Egypt and Babylon. Of course most of these speculators who are talking about primitive men are thinking about modern savages. They prove their progressive evolution by assuming that a great part of the human race has not progressed or evolved; or even changed in any way at all. I do not agree with their theory of change; nor do I agree with their dogma of things unchangeable. I may not believe that civilised man has had so rapid and recent a progress; but I cannot quite understand why uncivilised man should be so mystically immortal and immutable. A somewhat simpler mode of thought and speech seems to me to be needed throughout this inquiry. Modern savages cannot be exactly like primitive man, because they are not primitive. Modern savages are not ancient because they are modern. Something has happened to their race as much as to ours, during the thousands of years of our existence and endurance on the earth. They have had some experiences, and have presumably acted on them if not profited by them. Like the rest of us. They have had some environment, and even some change of environment, and have presumably adapted themselves to it in a proper and decorous evolutionary manner. This would be true even if the experiences were mild or the environment dreary; for there is an effect in mere time when it takes the moral form of monotony. But it has appeared to a good many intelligent and well-informed people quite as probable that the experience of the savages has been that of a decline from civilisation. Most of those who criticise this view do not seem to have any very clear notion of what a decline from civilisation would be like. Heaven help them, it is likely enough that they will soon find out. They seem to be content if cave-men and cannibal islanders have some things in common. such as certain particular implements. But it is obvious on the face of it that any peoples reduced for any reason to a ruder life would have some things in common. If we lost all our firearms we should make bows and arrows; but we should not necessarily resemble in every way the first men who made bows and arrows. It is said that the Russians in their great retreat were so short of armament that they fought with clubs cut in the wood. But a professor of the future would err in supposing that the Russian army of 1916 was a naked Scythian tribe that had never been out of the wood. It is like saying that a man in his second childhood must exactly copy his first. A baby is bald like an old man; but it would be an error for one ignorant of infancy to infer that the baby had a long white beard. Both a baby and an old man walk with difficulty; but he who shall expect the old gentleman to lie on his back, and kick joyfully instead, will be disappointed. It is therefore absurd to argue that the first pioneers of humanity must have been identical with some of the last and most stagnant leavings of it. There were almost certainly some things, there were probably many things, in which the two were widely different or flatly contrary. An example of the way in which this distinction works, and an example essential to our argument here, is that of the nature and origin of government I have already alluded to Mr. H. G. Wells and the Old Man, with whom he appears to be on such intimate terms. If we considered the cold facts of prehistoric evidence for this portrait of the prehistoric chief of the tribe, we could only excuse it by saying that its brilliant and versatile author simply forgot for a moment that he was supposed to be writing a history, and dreamed he was writing one of his own very wonderful and imaginative romances. At least I cannot imagine how he can possibly know that the prehistoric ruler was called the Old Man or that court etiquette requires it to be spelt with capital letters. He says of the same potentate, 'No one was allowed to touch his spear or to sit in his seat.' I have difficulty in believing that anybody has dug up a prehistoric spear with a prehistoric label, 'Visitors are Requested not to Touch,' or a complete throne with the inscription, 'Reserved for the Old Man.' But it may be presumed that the writer, who can hardly be supposed to be merely making up things out of his own head, was merely taking for granted this very dubious parallel between the prehistoric and the decivilised man. It may be that in certain savage tribes the chief is called the Old Man and nobody is allowed to touch his spear or sit on his seat. It may be that in those cases he is surrounded with superstitious and traditional terrors; and it may be that in those cases, for all I know, he is despotic and tyrannical. But there is not a grain of evidence that primitive government was despotic and tyrannical. It may have been, of course, for it may have been anything or even nothing; it may not have existed at all. But the despotism in certain dingy and decayed tribes in the twentieth century does not prove that the first men were ruled despotically. It does not even suggest it; it does not even begin to hint at it. If there is one fact we really can prove, from the history that we really do know, it is that despotism can be a development, often a late development and very often indeed the end of societies that have been highly democratic. A despotism may almost be defined as a tired democracy. As fatigue falls on a community, the citizens are less inclined for that eternal vigilance which has truly been called the price of liberty; and they prefer to arm only one single sentinel to watch the city while they sleep. It is also true that they sometimes needed him for some sudden and militant act of reform; it is equally true that he often took advantage of being the strong man armed to be a tyrant like some of the Sultans of the East. But I cannot see why the Sultan should have appeared any earlier in history than many other human figures. On the contrary, the strong man armed obviously depends upon the superiority of his armour, and armament of that sort comes with more complex civilisation. One man may kill twenty with a machine-gum; it is obviously less likely that he could do it with a piece of flint. As for the current cant about the strongest man ruling by force and fear, it is simply a nursery fairy-tale about a giant with a hundred hands. Twenty men could hold down the strongest strong man in any society, ancient or modern. Undoubtedly they might admire, in a romantic and poetical sense, the man who was really the strongest; but that is quite a different thing, and is as purely moral and even mystical as the admiration for the purest or the wisest. But the spirit that endures the mere cruelties and caprices of an established despot is the spirit of an ancient and settled and probably stiffened society, not the spirit of a new one. As his name implies, the Old Man is the ruler of an old humanity. It is far more probable that a primitive society was something like a pure democracy. To this day the comparatively simple agricultural communities are by far the purest democracies. Democracy is a thing which is always breaking down through the complexity of civilisation. Anyone who likes may state it by saying that democracy is the foe of civilisation. But he must remember that some of us really prefer democracy to civilisation, in the sense of preferring democracy to complexity. Anyhow, peasants tilling patches of their own land in a rough equality, and meeting to vote directly under a village tree, are the most truly self-governing of men. It is surely as likely as not that such a simple idea was found in the first condition of even simpler men. Indeed the despotic vision is exaggerated, even if we do not regard the men as men. Even on an evolutionary assumption of the most materialistic sort, there is really no reason why men should not have had at least as much camaraderie as rats or rooks. Leadership of some sort they doubtless had, as have the gregarious animals; but leadership implies no such irrational servility as that attributed to the superstitious subjects of the Old Man. There was doubtless some body corresponding, to use Tennyson's expression, to the many-wintered crow that leads the clanging rookery home. But I fancy that if that venerable fowl began to act after the fashion of some Sultans in ancient and decayed Asia, it would become a very clanging rookery and the many-wintered crow would not see many more winters. It may be remarked, in this connection, but even among animals it would seem that something else is respected more than bestial violence, if it be only the familiarity which in men is called tradition or the experience which in men is called wisdom. I do not know if crows really follow the oldest crow, but if they do they are certainly not following the strongest crow. And I do know, in the human case, that if some ritual of seniority keeps savages reverencing somebody called Old Man, then at least they have not our own servile sentimental weakness for worshipping the Strong Man. It may be said then that primitive government, like primitive art and religion and everything else, is very imperfectly known or rather guessed at; but that it is at least as good a guess to suggest that it was as popular as a Balkan or Pyrenean village as that it was as capricious and secret as a Turkish divan. Both the mountain democracy and the oriental palace are modern in the sense that they are still there, or are some sort of growth of history; but of the two the palace has much more the look of being an accumulation and a corruption, the village much more the look of being a really unchanged and primitive thing. But my suggestions at this point do not go beyond expressing a wholesome doubt about the current assumption. I think it interesting, for instance, that liberal institutions have been traced even by moderns back to barbarians or undeveloped states, when it happened to be convenient for the support of some race or nation or philosophy. So the Socialists profess that their ideal of communal property existed in very early times. So the Jews are proud of the Jubilees or juster redistributions under their ancient law. So the Teutonists boasted of tracing parliaments and juries and various popular things among the Germanic tribes of the north. So the Celtophiles and those testifying to the wrongs of Ireland have pleaded the more equal justice of the clan system, to which the Irish chiefs bore witness before Strongbow. The strength of the case varies in the different cases; but as there is some case for all of them, I suspect there is some case for the general proposition that popular institutions of some sort were by no means uncommon in early and simple societies. Each of these separate schools were making the admission to prove a particular modern thesis; but taken together they suggest a more ancient and general truth, that there was something more in prehistoric councils than ferocity and fear. Each of these separate theorists had his own axe to grind, but he was willing to use a stone axe; and he manages to suggest that the stone axe might have been as republican as the guillotine. But the truth is that the curtain rises upon the play already in progress In one sense it is a true paradox that there was history before history. But it is not the irrational paradox implied in prehistoric history; for it is a history we do not know. Very probably it was exceedingly like the history we do know, except in the one detail that we do not know it. It is thus the very opposite of the pretentious prehistoric history, which professes to trace everything in a consistent course from the amoeba to the anthropoid and from the anthropoid to the agnostic. So far from being a question of our knowing all about queer creatures very different from ourselves, they were very probably people very like ourselves, except that we know nothing about them. In other words, our most ancient records only reach back to a time when humanity had long been human, and even long been civilised. The most ancient records we have not only mention but take for granted things like kings and priests and princes and assemblies of the people; they describe communities that are roughly recognisable as communities in our own sense. Some of them are despotic; but we cannot tell that they have always been despotic. Some of them may be already decadent and nearly all are mentioned as if they were old. We do not know what really happened in the world before those records; but the little we do know would leave us anything but astonished if we learnt that it was very much like what happens in this world now. There would be nothing inconsistent or confounding about the discovery that those unknown ages were full of republics collapsing under monarchies and rising again as republics, empires expanding and finding colonies and then losing colonies. Kingdoms combining again into world states and breaking up again into small nationalities, classes selling themselves into slavery and marching out once more into liberty; all that procession of humanity which may or may not be a progress but most assuredly a romance. But the first chapters of the romance have been torn out of the book; and we shall never read them. It is so also with the more special fancy about evolution and social stability. According to the real records available, barbarism and civilisation were not successive states in the progress of the world. They were conditions that existed side by side, as they still exist side by side. There were civilisations then as there are civilisations now; there are savages now as there were savages then. It is suggested that all men passed through a nomadic stage; but it is certain that there are some who have never passed out of it, and it seems not unlikely that there were some who never passed into it. It is probable that from very primitive times the static tiller of the soil and the wandering shepherd were two distinct types of men; and the chronological rearrangement of them is but a mark of that mania for progressive stages that has largely falsified history. It is suggested that there was a communist stage, in which private property was everywhere unknown, a whole humanity living on the negation of property; but the evidences of this negation are themselves rather negative. Redistributions of property, jubilees, and agrarian laws, occur at various intervals and in various forms; but that humanity inevitably passed through a communist stage seems as doubtful as the parallel proposition that humanity will inevitably return to it. It is chiefly interesting as evidence that the boldest plans for the future invoke the authority of the past; and that even a revolutionary seeks to satisfy himself that he is also a reactionary. There is an amusing parallel example in the case of what is called feminism. In spite of all the pseudo-scientific gossip about marriage by capture and the cave-man beating the cave-woman with a club, it may be noted that as soon as feminism became a fashionable cry, it was insisted that human civilisation in its first stage had been a matriarchy. Apparently it was the cave-woman who carried the club. Anyhow all these ideas are little better than guesses; they have a curious way of following the fortune of modern theories and fads. In any case they are not history in the sense of record; and we may repeat that when it comes to record, the broad truth is that barbarism and civilisation have always dwelt side by side in the world, the civilisation sometimes spreading to absorb the barbarians, sometimes decaying into relative barbarism, and in almost all cases possessing in a more finished form certain ideas and institutions which the barbarians possess in a ruder form; such as government or social authority, the arts and especially the decorative arts, mysteries and taboos of various kinds especially surrounding the matter of sex, and some form of that fundamental thing which is the chief concern of this enquiry; the thing that we call religion. Now Egypt and Babylon, those two primeval monsters, might in this matter have been specially provided as models. They might almost be called working models to show how these modern theories do not work. The two great truths we know about these two great cultures happen to contradict flatly the two current fallacies which have just been considered. The story of Egypt might have been invented to point the moral that man does not necessarily begin with despotism because he is barbarous, but very often finds his way to despotism because he is civilised. He finds it because he is experienced; or, what is often much the same thing, because he is exhausted And the story of Babylon might have been invented to point the moral that man need not be a nomad or a communist before he becomes a peasant or a citizen, and that such cultures are not always in successive stages but often in contemporary states. Even touching these great civilisations with which our written history begins there is a temptation of course to be too ingenious or too cocksure. We can read the bricks of Babylon in a very different sense from that in which we guess about the Cup and Ring stones; and we do definitely know what is meant by the animals in the Egyptian hieroglyphic as we know nothing of the animal in the neolithic cave. But even here the admirable archeologists who have deciphered line after line of miles of hieroglyphics may be tempted to read too much between the lines; even the real authority on Babylon may forget how fragmentary is his hard-won knowledge; may forget that Babylon has only heaved half a brick at him, though half a brick is better than no cuneiform. But some truths, historic and not prehistoric, dogmatic and not evolutionary, facts and not fancies, do indeed emerge from Egypt and Babylon; and these two truths are among them. Egypt is a green ribbon along the river edging the dark red desolation of the desert. It is a proverb, and one of vast antiquity, that it is created by the mysterious bounty and almost sinister benevolence of the Nile. When we first hear of Egyptians they are living as in a string of river-side villages, in small and separate but co-operative communities along the bank of the Nile. Where the river branched into the broad Delta there was traditionally the beginning of a somewhat different district or people; but this need not complicate the main truth. These more or less independent though interdependent peoples were considerably civilised already. They had a sort of heraldry; that is, decorative art used for symbolic and social purposes; each sailing the Nile under its own ensign representing some bird or animal. Heraldry involves two things of enormous importance to normal humanity; the combination of the two making that noble thing called co-operation; on which rest all peasantries and peoples that are free. The art of heraldry means independence; an image chosen by the imagination to express the individuality. The science of heraldry means interdependence; an agreement between different bodies to recognise different images; a science of imagery. We have here therefore exactly that compromise of co-operation between free families or groups which is the most normal mode of life for humanity and is particularly apparent wherever men own their own land and live on it. With the very mention of the image of bird and beast the student of mythology will murmur the word 'totem' almost in his sleep. But to my mind much of the trouble arises from his habit of saying such words as if in his sleep. Throughout this rough outline I have made a necessarily inadequate attempt to keep on the inside rather than the outside of such things; to consider them where possible in terms of thought and not merely in terms of terminology. There is very little value in talking about totems unless we have some feeling of what it really felt like to have a totem. Granted that they had totems and we have no totems; was it because they had more fear of animals or more familiarity with animals? Did a man whose totem was a wolf feel like a were-wolf or like a man running away from a were-wolf? Did he feel like Uncle Remus about Brer Wolf or like St. Francis about his brother the wolf, or like Mowgli about his brothers the wolves? Was a totem a thing like the British lion or a thing like the British bull-dog? Was the worship of a totem like the feeling of niggers about Mumbo Jumbo, or of children about Jumbo? I have never read any book of folk-lore, however learned, that gave me any light upon this question, which I think by far the most important one. I will confine myself to repeating that the earliest Egyptian communities had a common understanding about the images that stood for their individual states; and that this amount of communication is prehistoric in the sense that it is already there at the beginning of history. But as history unfolds itself, this question of communication is clearly the main question of these riverside communities. With the need of communication comes the need of a common government and the growing greatness and spreading shadow of the king. The other binding force besides the king, and perhaps older than the king, is the priesthood; and the priesthood has presumably even more to do with these ritual symbols and signals by which men can communicate. And here in Egypt arose probably the primary and certainly the typical invention to which we owe all history, and the whole difference between the historic and the prehistoric: the archetypal script, the art of writing. The popular pictures of these primeval empires are not half so popular as they might be. There is shed over them the shadow of an exaggerated gloom, more than the normal and even healthy sadness of heathen men. It is part of the same sort of secret pessimism that loves to make primitive man a crawling creature, whose body is filth and whose soul is fear. It comes of course from the fact that men are moved most by their religion; especially when it is irreligion. For them anything primary and elemental must be evil. But it is the curious consequence that while we have been deluged with the wildest experiments in primitive romance, they have all missed the real romance of being primitive. They have described scenes that are wholly imaginary, in which the men of the Stone Age are men of stone like walking statues; in which the Assyrians or Egyptians are as stiff or as painted as their own most archaic art. But none of these makers of imaginary scenes have tried to imagine what it must really have been like to see those things as fresh which we see as familiar. They have not seen a man discovering fire like a child discovering fireworks. They have not seen a man playing with the wonderful invention called the wheel, like a boy playing at putting up a wireless station. They have never put the spirit of youth into their descriptions of the youth of the world. It follows that amid all their primitive or prehistoric fancies there are no jokes. There are not even practical jokes, in connection with the practical inventions. And this is very sharply defined in the particular case of hieroglyphics; for there seems to be serious indication that the whole high human art of scripture or writing began with a joke. There are some who will learn with regret that it seems to have begun with a pun. The king or the priests or some responsible persons, wishing to send a message up the river in that inconveniently long and narrow territory, hit on the idea of sending it in picture writing, like that of the Red Indian. Like most people who have written picture-writing for fun, he found the words did not always fit. But when the word for taxes sounded rather like the word for pig, he boldly put down a pig as a bad pun and chanced it. So a modern hieroglyphist might represent 'at once' by unscrupulously drawing a hat followed by a series of upright numerals. It was good enough for the Pharaohs and ought to be good enough for him. But it must have been great fun to write or even to read these messages, when writing and reading were really a new thing. And if people must write romances about ancient Egypt (and it seems that neither prayers nor tears nor curses can withhold them from the habit), I suggest that scenes like this would really remind us that the ancient Egyptians were human beings. I suggest that somebody should describe the scene of the great monarch sitting among his priests, and all of them roaring with laughter and bubbling over with suggestions as the royal puns grew more and more wild and indefensible. There might be another scene of almost equal excitement about the decoding of this cipher; the guesses and clues and discoveries having all the popular thrill of a detective story. That is how primitive romance and primitive history really ought to be written. For whatever was the quality of the religious or moral life of remote times, and it was probably much more human than is conventionally supposed, the scientific interest of such a time must have been intense. Words must have been more wonderful than wireless telegraphy; and experiments with common things a series of electric shocks. We are still waiting for somebody to write a lively story of primitive life. The point is in some sense a parenthesis here; but it is connected with the general matter of political development, by the institution which was most active in these first and most fascinating of all the fairy-tales of science. It is admitted that we owe most of this science to the priests. Modern writers like Mr. Wells cannot be accused of any weakness of sympathy with a pontifical hierarchy; but they agree at least in recognising what pagan priesthoods did for the arts and sciences. Among the more ignorant of the enlightened there was indeed a convention of saying that priests had obstructed progress in all ages; and a politician once told me in a debate that I was resisting modern reforms exactly as some ancient priest probably resisted the discovery of wheels. I pointed out, in reply, that it was far more likely that the ancient priest made the discovery of the wheels. It is overwhelmingly probable that the ancient priest had a great deal to do with the discovery of the art of writing. It is obvious enough in the fact that the very word hieroglyphic is akin to the word hierarchy. The religion of these priests was apparently a more or less tangled polytheism of a type that is more particularly described elsewhere. It passed through a period when it cooperated with the king, another period when it was temporarily destroyed by the king, who happened to be a prince with a private theism of his own, and a third period when it practically destroyed the king and ruled in his stead. But the world has to thank it for many things which it considers common and necessary: and the creators of those common things ought really to have a place among the heroes of humanity. If we were at rest in a real paganism, instead of being restless in a rather irrational reaction from Christianity, we might pay some sort of pagan honour to these nameless makers of mankind. We might have veiled statues of the man who first found fire or the man who first made a boat or the man who first tamed a horse. And if we brought them garlands or sacrifices, there would be more sense in it than in disfiguring our cities with cockney statues of stale politicians and philanthropists. But one of the strange marks of the strength of Christianity is that, since it came, no pagan in our civilisation has been able to be really human. The point is here, however, that the Egyptian government, whether pontifical or royal, found it more and more necessary to establish communication; and there always went with communication a certain element of coercion. It is not necessarily an indefensible thing that the state grew more despotic as it grew more civilised; it is arguable that it had to grow more despotic in order to grow more civilised. That is the argument for autocracy in every age; and the interest lies in seeing it illustrated in the earliest age. But it is emphatically not true that it was most despotic in the earliest age and grew more liberal in a later age; the practical process of history is exactly the reverse. It is not true that the tribe began in the extreme of terror of the Old Man and his seat and spear; it is probable, at least in Egypt, that the Old Man was rather a New Man armed to attack new conditions. His spear grew longer and longer and his throne rose higher and higher, as Egypt rose into a complex and complete civilisation. That is what I mean by saying that the history of the Egyptian territory is in this the history of the earth; and directly denies the vulgar assumption that terrorism can only come at the beginning and cannot come at the end. We do not know what was the very first condition of the more or less feudal amalgam of land owners, peasants and slaves in the little commonwealths beside the Nile; but it may have been a peasantry of an even more popular sort. What we do know is that it was by experience and education that little commonwealths lose their liberty; that absolute sovereignty is something not merely ancient but rather relatively modern; and it is at the end of the path called progress that men return to the king. Egypt exhibits, in that brief record of its remotest beginnings, the primary problem of liberty and civilisation. It is the fact that men actually lose variety by complexity. We have not solved the problem properly any more than they did; but it vulgarises the human dignity of the problem itself to suggest that even tyranny has no motive save in tribal terror. And just as the Egyptian example refutes the fallacy about despotism and civilisation, so does the Babylonian example refute the fallacy about civilisation and barbarism. Babylon also we first hear of when it is already civilised; for the simple reason that we cannot hear of anything until it is educated enough to talk. It talks to us in what is called cuneiform; that strange and stiff triangular symbolism that contrasts with the picturesque alphabet of Egypt. However relatively rigid Egyptian art may be, there is always something different from the Babylonian spirit which was too rigid to have any art. There is always a living grace in the lines of the lotus and something of rapidity as well as rigidity in the movement of the arrows and the birds. Perhaps there is something of the restrained but living curve of the river, which makes us in talking of the serpent of old Nile almost think of the Nile as a serpent. Babylon was a civilisation of diagrams rather than of drawings. Mr. W.B. Yeats who has a historical imagination to match his mythological imagination (and indeed the former is impossible without the latter) wrote truly of the men who watched the stars 'from their pedantic Babylon.' The cuneiform was cut upon bricks, of which all their architecture was built up; the bricks were of baked mud and perhaps the material had something in it forbidding the sense of form to develop in sculpture or relief. Theirs was a static but a scientific civilisation, far advanced in the machinery of life and in some ways highly modern. It is said that they had much of the modern cult of the higher spinsterhood and recognised an official class of independent working women. There is perhaps something in that mighty stronghold of hardened mud that suggests the utilitarian activity of a huge hive. But though it was huge it was human; we see many of the same social problems as in ancient Egypt or modern England; and whatever its evils this also was one of the earliest masterpieces of man. It stood, of course, in the triangle formed by the almost legendary rivers of Tigris and Euphrates, and the vast agriculture of its empire, on which its towns depended, was perfected by a highly scientific system of canals. It had by tradition a high intellectual life, though rather philosophic than artistic; and there preside over its primal foundation those figures who have come to stand for the star-gazing wisdom of antiquity; the teachers of Abraham; the Chaldees. Against this solid society, as against some vast bare wall of brick, there surged age after age the nameless armies of the Nomads. They came out of the deserts where the nomadic life had been lived from the beginning and where it is still lived to-day. It is needless to dwell on the nature of that life; it was obvious enough and even easy enough to follow a herd or a flock which generally found its own grazing-ground and to live on the milk or meat it provided. Nor is there any reason to doubt that this habit of life could give almost every human thing except a home. Many such shepherds or herds men may have talked in the earliest time of all the truths and enigmas of the Book of Job; and of these were Abraham and his children, who have given to the modern world for an endless enigma the almost mono-maniac monotheism of the Jews. But they were a wild people without comprehension of complex social organisation; and a spirit like the wind within them made them wage war on it again and again. The history of Babylonia is largely the history of its defence against the desert hordes; who came on at intervals of a century or two and generally retreated as they came. Some say that an admixture of nomad invasion built at Nineveh the arrogant kingdom of the Assyrians, who carved great monsters upon their temples, bearded bulls with wings like cherubim, and who sent forth many military conquerors who stamped the world as if with such colossal hooves. Assyria was an imperial interlude; but it was an interlude. The main story of all that land is the war between the wandering peoples and the state that was truly static. Presumably in prehistoric times, and certainly in historic times, those wanderers went westward to waste whatever they could find. The last time they came they found Babylon vanished; but that was in historic times and the name of their leader was Mahomet. Now it is worth while to pause upon that story because, as has been suggested, it directly contradicts the impression still current that nomadism is merely a prehistoric thing and social settlement a comparatively recent thing. There is nothing to show that the Babylonians had ever wandered; there is very little to show that the tribes of the desert ever settled down. Indeed it is probable that this notion of a nomadic stage followed by a static stage has already been abandoned by the sincere and genuine scholars to whose researches we all owe so much. But I am not at issue in this book with sincere and genuine scholars, but with a vast and vague public opinion which has been prematurely spread from certain imperfect investigations, and which has made fashionable a false notion of the whole history of humanity. It is the whole vague notion that a monkey evolved into a man and in the same way a barbarian evolved into a civilised man and therefore at every stage we have to look back to barbarism and forward to civilisation. Unfortunately this notion is in a double sense entirely in the air. It is an atmosphere in which men live rather than a thesis which they defend. Men in that mood are more easily answered by objects than by theories; and it will be well if anyone tempted to make that assumption, in some trivial turn of talk or writing, can be checked for a moment by shutting his eyes and seeing for an instant, vast and vaguely crowded, like a populous precipice, the wonder of the Babylonian wall. One fact does certainly fall across us like its shadow. Our glimpses of both these early empires show that the first domestic relation had been complicated by something which was less human, but was often regarded as equally domestic. The dark giant called Slavery had been called up like a genii and was labouring on gigantic works of brick and stone. Here again we must not too easily assume that what was backward was barbaric; in the matter of manumission the earlier servitude seems in some ways more liberal than the later; perhaps more liberal than the servitude of the future. To insure food for humanity by forcing part of it to work was after all a very human expedient; which is why it will probably be tried again. But in one sense there is a significance in the old slavery. It stands for one fundamental fact about all antiquity before Christ; something to be assumed from first to last. It is the insignificance of the individual before the State. It was as true of the most democratic City State in Hellas as of any despotism in Babylon. It is one of the signs of this spirit that a whole class of individuals could be insignificant or even invisible. It must be normal because it was needed for what would now be called 'social service.' Somebody said, 'The Man is nothing and the Work is all,' meaning it for a breezy Carlylean commonplace. It was the sinister motto of the heathen Servile State. In that sense there is truth in the traditional vision of vast pillars and pyramids going up under those everlasting skies for ever by the labour of numberless and nameless men, toiling like ants and dying like flies, wiped out by the work of their own hands. But there are two other reasons for beginning with the two fixed points of Egypt and Babylon. For one thing they are fixed in tradition as the types of antiquity; and history without tradition is dead. Babylon is still the burden of a nursery rhyme, and Egypt (with its enormous population of princesses awaiting reincarnation) is still the topic of an unnecessary number of novels. But a tradition is generally a truth; so long as the tradition is sufficiently popular; even if it is almost vulgar. And there is a significance in this Babylonian and Egyptian element in nursery rhymes and novels; even the news papers, normally so much behind the times, have already got as far as the reign of Tutankhamen. The first reason is full of the common sense of popular legend; it is the simple fact that we do know more of these traditional things than of other contemporary things; and that we always did. All travellers from Herodotus to Lord Carnarvon follow this route. Scientific speculations of to-day do indeed spread out a map of the whole primitive world, with streams of racial emigration or admixture marked in dotted lines everywhere; over spaces which the unscientific medieval map-maker would have been content to call 'Terra incognita,' if he did not fill the inviting blank with a picture of a dragon, to indicate the probable reception given to pilgrims. But these speculations are only speculations at the best; and at the worst the dotted lines can be far more fabulous than the dragon. There is unfortunately one fallacy here into which it is very easy for men to fall, even those who are most intelligent and perhaps especially those who are most imaginative. It is the fallacy of suppositing that because an idea is greater in the sense of larger, therefore it is greater in the sense of more fundamental and fixed and certain. If a man lives alone in a straw hut in the middle of Thibet, he may be told that he is living in the Chinese Empire; and the Chinese Empire is certainly a splendid and spacious and impressive thing. Or alternatively he may be told that he is living in the British Empire, and be duly impressed. But the curious thing is that in certain mental states he can feel much more certain about the Chinese Empire that he can not see than about the straw hut that he can see. He has some strange magical juggle in his mind, by which his argument begins with the empire though his experience begins with the hut. Sometimes he goes mad and appears to be proving that a straw hut cannot exist in the domains of the Dragon Throne; that it is impossible for such a civilisation as he enjoys to contain such a hovel as he inhabits. But his insanity arises from the intellectual slip of supposing that because China is a large and all-embracing hypothesis, therefore it is something more than a hypothesis. Now modern people are perpetually arguing in this way; and they extend it to things much less real and certain than the Chinese Empire. They seem to forget, for instance, that a man is not even certain of the Solar System as he is certain of the South Downs. The Solar System is a deduction, and doubtless a true deduction; but the point is that it is a very vast and far-reaching deduction and therefore he forgets that it is a deduction at all and treats it as a first principle. He might discover that the whole calculation is a mis-calculation; and the sun and stars and street-lamps would look exactly the same. But he has forgotten that it is a calculation, and is almost ready to contradict the sun if it does not fit into the solar system. If this is a fallacy even in the case of facts pretty well ascertained, such as the Solar System and the Chinese Empire, it is an even more devastating fallacy in connection with theories and other things that are not really ascertained at all. Thus history, especially prehistoric history, has a horrible habit of beginning with certain generalisations about races. I will not describe the disorder and misery this inversion has produced in modern politics. Because the race is vaguely supposed to have produced the nation, men talk as if the nation were something vaguer than the race. Because they have themselves invented a reason to explain a result, they almost deny the result in order to justify the reason. They first treat a Celt as an axiom and then treat an Irishman as an inference. And then they are surprised that a great fighting, roaring Irishman is angry at being treated as an inference. They cannot see that the Irish are Irish whether or no they are Celtic, whether or no there ever were any Celts. And what misleads them once more is the size of the theory; the sense that the fancy is bigger than the fact. A great scattered Celtic race is supposed to contain the Irish, so of course the Irish must depend for their very existence upon it. The same confusion, of course, has eliminated the English and the Germans by swamping them in the Teutonic race; and some tried to prove from the races being at one that the nations could not be at war. But I only give these vulgar and hackneyed examples in passing, as more familiar examples of the fallacy; the matter at issue here is not its application to these modern things but rather to the most ancient things. But the more remote and unrecorded was the racial problem, the more fixed was this curious inverted certainty in the Victorian man of science. To this day it gives a man of those scientific traditions the same sort of shock to question these things, which were only the last inferences when he turned them into first principles. He is still more certain that he is an Aryan even than that he is an Anglo-Saxon, just as he is more certain that he is an Anglo-Saxon than that he is an Englishman. He has never really discovered that he is a European. But he has never doubted that he is an Indo-European. These Victorian theories have shifted a great deal in their shape and scope; but this habit of a rapid hardening of a hypothesis into a theory, and of a theory into an assumption, has hardly yet gone out of fashion. People cannot easily get rid of the mental confusion of feeling that the foundations of history must surely be secure; that the first steps must be safe; that the biggest generalisation must be obvious. But though the contradiction may seem to them a paradox, this is the very contrary of the truth. It is the large thing that is secret and invisible; it is the small thing that is evident and enormous. Every race on the face of the earth has been the subject of these speculations, and it is impossible even to suggest an outline of the subject. But if we take the European race alone, its history, or rather its prehistory, has undergone many retrospective revolutions in the short period of my own lifetime. It used to be called the Caucasian race; and I read in childhood an account of its collision with the Mongolian race; it was written by Bret Harte and opened with the query 'Or is the Caucasian played out?' Apparently the Caucasian was played out, for in a very short time he had been turned into the Indo-European man; sometimes, I regret to say, proudly presented as the Indo-Germanic man. It seems that the Hindu and the German have similar words for mother or father; there were other similarities between Sanskrit and various Western tongues; and with that all superficial differences between a Hindu and a German seemed suddenly to disappear. Generally this composite person was more conveniently described as the Aryan, and the really important point was that he had marched westward out of those high lands of India where fragments of his language could still be found. When I read this as a child, I had the fancy that after all the Aryan need not have marched westward and left his language behind him; he might also have marched eastward and taken his language with him. If I were to read it now, I should content myself with confessing my ignorance of the whole matter. But as a matter of fact I have great difficulty in reading it now, because it is not being written now. It looks as if the Aryan is also played out. Anyhow he has not merely changed his name but changed his address; his starting-place and his route of travel. One new theory maintains that our race did not come to its present home from the East but from the South. Some say the Europeans did not come from Asia but from Africa. Some have even had the wild idea that the Europeans came from Europe; or rather that they never left it. Then there is a certain amount of evidence of a more or less prehistoric pressure from the North, such as that which seems to have brought the Greeks to inherit the Cretan culture and so often brought the Gauls over the hills into the fields in Italy. But I merely mention this example of European ethnology to point out that the learned have pretty well boxed the compass by this time; and that I, who am not one of the learned, cannot pretend for a moment to decide where such doctors disagree. But I can use my own common sense, and I sometimes fancy that theirs is a little rusty from want of use. The first act of common sense is to recognise the difference between a cloud and a mountain. And I will affirm that nobody knows any of these things, in the sense that we all know of the existence of the Pyramids of Egypt. The truth, it may be repeated, is that what we really see, as distinct from what we may reasonably guess, in this earliest phase of history is darkness covering the earth and great darkness the peoples, with a light or two gleaming here and there on chance patches of humanity; and that two of these flames do burn upon two of these tall primeval towns; upon the high terraces of Babylon and the huge pyramids of the Nile. There are indeed other ancient lights, or lights that may be conjectured to be very ancient, in very remote parts of that vast wilderness of night. Far away to the east there is a high civilisation of vast antiquity in China; there are the remains of civilisations in Mexico and South America and other places, some of them apparently so high in civilisation as to have reached the most refined forms of devil-worship. But the difference lies in the element old tradition; the tradition of these lost cultures has been broken off, and though the tradition of China still lives, it is doubtful whether we know anything about it. Moreover, a man trying to measure the Chinese antiquity has to use Chinese traditions of measurement; and he has a strange sensation of having passed into another world under other laws of time and space. Time is telescoped outwards and centuries assume the slow and stiff movement of aeons; the white man trying to see it as the yellow man sees, feels as if his head were turning round and wonders wildly whether it is growing a pigtail. Any how he cannot take in a scientific sense that queer perspective that leads up to the primeval pagoda of the first of the Sons of Heaven. He is the real antipodes; the only true alternative world to Christendom; and he is after a fashion walking upside down. I have spoken of the medieval map-maker and his dragon; but what medieval traveller, however much interested in monsters, would expect to find a country where a dragon is a benevolent and amiable being? Of the more serious side of Chinese tradition something will be said in another connection; but I am only talking of tradition and the test of antiquity. And I only mention China as an antiquity that is not for us reached by a bridge old tradition; and Babylon and Egypt as antiquities that are. Herodotus is a human being, in a sense in which a Chinaman in a billy-cock hat, sitting opposite to us in a London tea shop, is hardly human. We feel as if we knew what David and Isaiah felt like, in a way in which we never were quite certain what Li Hung Chang felt like. The very sins that snatched away Helen or Bathsheba have passed into a proverb of private human weakness, of pathos and even of pardon. The very virtues of the Chinaman have about them something terrifying. This is the difference made by the destruction or preservation of a continuous historical inheritance; as from ancient Egypt to modern Europe. But when we ask what was that world that we inherit, and why those particular people and places seem to belong to it, we are led to the central fact of civilised history. That centre was the Mediterranean; which was not so much a piece of water as a world. But it was a world with something of the character of such a water; for it became more and more a place of unification in which the streams of strange and very diverse cultures met. The Nile and the Tiber alike flow into the Mediterranean; so did the Egyptian and the Etrurian alike contribute to a Mediterranean civilisation. The glamour of the great sea spread indeed very far in land and the unity was felt among the Arabs alone in the deserts and the Gauls beyond the northern hills. But the gradual building up of a common culture running round all the coasts of this inner sea is the main business of antiquity. As will be seen, it was sometimes a bad business as well as a good business. In that orbis terrarum or circle of lands there were the extremes of evil and of piety, there were contrasted races and still more contrasted religions. It was the scene of an endless struggle between Asia and Europe from the night of the Persian ships at Salamis to the flight of the Turkish ships at Lepanto. It was the scene, as will be more especially suggested later, of a supreme spiritual struggle between the two types of paganism, confronting each other in the Latin and the Phoenician cities; in the Roman forum and the Punic mart. It was the world of war and peace, the world of good and evil, the world of all that matters most, with all respect to the Aztecs and the Mongols of the Far East, they did not matter as the Mediterranean tradition mattered and still matters. Between it and the Far East there were, of course, interesting cults and conquests of various kinds, more or less in touch with it, and in proportion as they were so intelligible also to us. The Persians came riding in to make an end of Babylon; and we are told in a Greek story how these barbarians learned to draw the bow and tell the truth. Alexander the great Greek marched with his Macedonians into the sunrise and brought back strange birds coloured like the sunrise clouds and strange flowers and jewels from the gardens and treasuries of nameless kings. Islam went eastward into that world and made it partly imaginable to us; precisely because Islam itself was born in that circle of lands that fringed our own ancient and ancestral sea. In the Middle Ages the empire of the Moguls increased its majesty without losing its mystery; the Tartars conquered China and the Chinese apparently took very little notice of them. All these things are interesting in themselves; but it is impossible to shift the centre of gravity to the inland spaces of Asia from the inland sea of Europe. When all is said, if there were nothing in the world but what was said and done and written and built in the lands lying round the Mediterranean, it would still be in all the most vital and valuable things the world in which we live. When that southern culture spread to the north-west it produced many very wonderful things; of which doubtless we ourselves are the most wonderful. When it spread thence to colonies and new countries, it was still the same culture so long as it was culture at all. But round that little sea like a lake were the things themselves, apart from all extensions and echoes and commentaries on the things, the Republic and the Church; the Bible and the heroic epics; Islam and Israel and the memories of the lost empires, Aristotle and the measure of all things. It is because the first light upon this world is really light, the daylight in which we are still walking to-day, and not merely the doubtful visitation of strange stars, that I have begun here with noting where that light first falls on the towered cities of the eastern Mediterranean. But though Babylon and Egypt have thus a sort of first claim, in the very fact of being familiar and traditional, fascinating riddles to us but also fascinating riddles to our fathers, we must not imagine that they were the only old civilisations on the southern sea; or that all the civilisation was merely Sumerian or Semitic or Coptic, still less merely Asiatic or African. Real research is more and more exalting the ancient civilisation of Europe and especially of what we may still vaguely call the Greeks. It must be understood in the sense that there were Greeks before the Greeks, as in so many of their mythologies there were gods before the gods. The island of Crete was the centre of the civilisation now called Minoan, after the Minos who lingered in ancient legend and whose labyrinth was actually discovered by modern archeology. This elaborate European society, with its harbours and its drainage and its domestic machinery, seems to have gone down before some invasion of its northern neighbours, who made or inherited the Hellas we know in history. But that earlier period did not pass till it had given to the world gifts so great that the world has ever since been striving in vain to repay them, if only by plagiarism. Somewhere along the Ionian coast opposite Crete and the islands was a town of some sort, probably of the sort that we should call a village or hamlet with a wall. It was called Ilion but it came to be called Troy, and the name will never perish from the earth. A poet who may have been a beggar and a ballad-monger, who may have been unable to read and write, and was described by tradition as a blind, composed a poem about the Greeks going to war with this town to recover the most beautiful woman in the world. That the most beautiful woman in the world lived in that one little town sounds like a legend; that the most beautiful poem in the world was written by somebody who knew of nothing larger than such little towns is a historical fact. It is said that the poem came at the end of the period; that the primitive culture brought it forth in its decay; in which case one would like to have seen that culture in its prime. But anyhow it is true that this, which is our first poem, might very well be our last poem too. It might well be the last word as well as the first word spoken by man about his mortal lot, as seen by merely mortal vision. If the world becomes pagan and perishes, the last man left alive would do well to quote the Iliad and die. But in this one great human revelation of antiquity there is another element of great historical importance; which has hardly I think been given its proper place in history. The poet has so conceived the poem that his sympathies apparently, and those of his reader certainly, are on the side of the vanquished rather than of the victor. And this is a sentiment which increases in the poetical tradition even as the poetical origin itself recedes. Achilles had some status as a sort of demigod in pagan times; but he disappears altogether in late times. But Hector grows greater as the ages pass, and it is his name that is the name of a Knight of the Round Table and his sword that legend puts into the hand of Roland, laying about him with the weapon of the defeated Hector in the last ruin and splendour of his own defeat. The name anticipates all the defeats through which our race and religion were to pass; that survival of a hundred defeats that is its triumph. The tale of the end of Troy shall have no ending, for it is lifted up forever into living echoes, immortal as our hopelessness and our hope. Troy standing was a small thing that may have stood nameless for ages. But Troy falling has been caught up in a flame and suspended in an immortal instant of annihilation; and because it was destroyed with fire the fire shall never be destroyed. And as with the city so with the hero; traced in archaic lines in that primeval twilight is found the first figure of the Knight. There is a prophetic coincidence in his title; we have spoken of the word chivalry and how it seems to mingle the horseman with the horse. It is almost anticipated ages before in the thunder of the Homeric hexameter, and that long leaping word with which the Iliad ends. It is that very unity for which we can find no name but the holy centaur of chivalry. But there are other reasons for giving in this glimpse of antiquity the name upon the sacred town. The sanctity of such towns ran like a fire round the coasts and islands of the northern Mediterranean, the high-fenced hamlet for which heroes died. From the smallness of the city came the greatness of the citizen. Hellas with her hundred statues produced nothing statelier than that walking statue; the ideal of the self-commanding man. Hellas of the hundred statues was one legend and literature; and all that labyrinth of little walled nations resounding with the lament of Troy. A later legend, an afterthought but not an accident, said that stragglers from Troy founded a republic on the Italian shore. It was true in spirit that republican virtue had such a root. A mystery of honour, that was not born of Babylon or the Egyptian pride, there shone like the shield of Hector, defying Asia and Africa; till the light of a new day was loosened, with the rushing of the eagles and the coming of the name; the name that came like a thunderclap when the world woke to Rome.
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